St. Peter’s Basilica: A Cathedral of Art

8 July 202522 June 2025

A group of school children, dressed in navy uniforms, skipped ahead of us along the walkway which connects the Vatican Museum to St. Peter’s Basilica. Still in awe at the beauty of Michelangelo’s Sistine Chapel, I made my way towards the cathedral known for its architecture and artwork of famous Renaissance artists. While waiting at the entrance, I thought about how I had waited so many years to visit Rome and wondered if these youngsters had any idea how lucky they were for the opportunity to visit St. Peter’s Basilica at such a young age.

The Vatican City resides in the city of Rome, its own country with a post office, helipad and even its own currency with a portrait of the pope. It is the capital of over 1 billion Roman Catholics with the pope its ruler.

Shuttled along with fellow tourists towards the entrance, I noticed The Holy Door of St. Peter’s Cathedral to my far right. Traditionally, the door is only open every twenty five years during the Holy Year, and on special occasions as designated by the pope. Dating back to 1450, the bronze from the original Old Peter’s church was melted down to create the sixteen scenes which feature Jesus, Paul and Peter and shows how each was martyred (the bottom panels).

Once inside the cathedral, I noticed the ornate stucco ceiling of the portico with the coat of arms of Pope Paul V. The basilica was completed during the Pope’s reign in the 1600s. Columns, arched walkways and small windows allowed the day’s light to gracefully creep in. The beautiful rays of sunlight produced a majestic golden hue that reflected off of the marble interior creating a stunning effect.

While Michelangelo is credited for the cathedral’s architecture, Bernini was its interior designer. He created the bronze canopy, the apse, the balconies, various statues (including the statue of St. Longinus) and the marble flooring.

Approaching the Nave, my eyes followed the coppered ceiling, watching the stream of light subtly appear through the windows. Detailed hallways and arches at each side are displayed with magnificent carvings. The Nave was coming into view and the dome appeared above the altar canopy. At the base of the dome are four medallions representing the saints who wrote the Four Gospels of the Bible.

Beneath the dome is the Main Altar, where only the pope recites Mass. When he is in the Vatican City, it is here where he conducts the Sunday morning mass.

The center of the Basilica is known as the Crossing and it is where the Papal Altar sits over the location of St. Peter’s tomb. Located above the tomb is the famous Dome of Michelangelo. Around the opening at the top is an inscription “To the Glory of St. Peter, Sixtus V, 1590, the fifth year of his reign.”

Looking past the elaborate altar canopy called the Baldacchino, my eyes are immediately drawn to the altar where there are two cherubs. These cherubs, holding the papal tiara and St. Peter’s keys, symbolize the authority of the Roman pontiff and seem to capture the glory of the sun.

Designed by Bernini the canopy covers the Papal Altar as well as the Tomb of St. Peter. The bronze structure was created using materials from Rome’s Pantheon and was completed in 1633. In the background, past the Baldacchino, is the Altar of the Chair, which contains the relics of a chair from which St. Peter preached. Located above the papal tiara is the symbol of the Holy Spirit, an alabaster dove that seems to illuminate as the outer light shines through.

The Confessio Petri, or Tomb of St. Peter can be accessed through the banister in front of the altar and taking the stairs below. I took an excursion to see the place where St. Peter was buried and waited for our tour guide to arrive. Once we descended 23 feet below the marble floor, we reached the entrance at the bottom, where we were instructed that this was a high security area and no photos were permitted.

Of course, the most important question on everyone’s mind was, “Are these really the bones of St. Peter?” Our guide explained that the tomb of Peter had been sealed since Old St. Peter’s Church was built in 326AD. In 1940, the tomb was opened and an inscription was found on a nearby wall claiming that “Peter is here.” Archaeologists removed the bones that were wrapped in cloth and tested them to determine their age. They confirmed that they were indeed the bones dating back to the first century and are believed to be those of St. Peter, the first bishop of the Catholic church.

On the day of a pope’s funeral, thousands gather in St. Peter’s Cathedral to pay their respects, and later his coffin is carried out to the square where the eulogy is conducted. While there are several popes that have been laid to rest below the basilica, there are several shrines throughout the cathedral where the bodies of previous popes can be viewed.

The beauty of St. Peter’s continued throughout the basilica as I discovered additional treasures from some of the greatest artists of all time. While the white columns on the portico date back to the fourth century when the first church was built, many of the stones used to construct the cathedral were removed from the court houses of ancient Rome. Cupolas, statues of popes, marble floors and popes interred add to the mystery of the basilica’s possessions.

Nothing compares to the crown jewel of St. Peter’s Basilica, the Dome of Michelangelo. The largest dome in the world reaches 448 feet from the floor to the top. Sixteen slender curved panels display painted images of angels and saints while Jesus and Mary can be seen above the circular set of windows.

The Latin inscription at the base of the dome comes from the Biblical passage in Matthew 16:18 which says, “You are Peter and upon this rock I will build my church, and to you I will give the keys of the kingdom of heaven”.

The apse is located beneath the dome where a golden dove represents the Holy Spirit, glowing as the sun shines through the glass. The Throne of Peter, located below the glow of the dove, made of oak was bronzed by Bernini as a symbol of St. Peter’s authority.

Not only was St. Peter buried within the walls of St. Peter’s Cathedral, this is also the site of his crucifixion. To the left of the apse, across from the main altar is a painting which, according to tradition) represents St. Peters’ crucifixion. While Peter was preaching in Rome, he gained the attention of the current reigning emperor Nero, who hated Christians. Nero imprisoned Peter and made a spectacle of his death. It is said that Peter refused to be crucified in the manner of Christ and insisted that he should be nailed to the cross upside down.

Raphael’s famous painting of The Transfiguration is around the corner telling the story of Jesus’ ascension into heaven after having been crucified, buried and then rising from the dead. The Renaissance artist’s oil is located above one of the altars on the other side of the statue of St. Andrew. The magnificent layers of blue in the sky welcome Jesus as he rises from the Earth to his eternal home in heaven and it is exactly how I had imagined it.

There is a crowd surrounding the Pieta as I arrived and I decided to visit the tomb of Pope John Paul II who is close by. My grandparents were Catholic, so I remembered how much they respected him and were proud that he was Polish. I also remember when he survived an assassination attempt in 1981 and the extensive media coverage during his death in 2005. And since I happened to be visiting the weekend of his canonization, it only seemed appropriate that I pay my respects.

St. John Paul II was laid to rest below the painting of St. Sebastian who was able to escape the assassination attempts on his life by the Romans. It is said that Sebastian was John Paul’s favorite saint.

I finally reach Michelangelo’s Pieta (pity), housed behind bulletproof glass, and gazing upon its rich detail, it is clear to see the sculptor’s influence on the artistic community of the Renaissance Era. This statue of Mary shows her holding Jesus after he was taken from the cross. Considered the most famous of all of Michelangelo’s works, he completed it at the age of 24. The soft edges, deep folds and expression on Mary’s face graciously exemplify the perfection in his work.

St. Peter’s Cathedral showcases the beautiful artistic treasures of Renaissance art. It displays the wealth and importance of the Catholic Church with its billions of followers. From the first Pope, St. Peter to St. Francis today, Catholicism remains a key spiritual denomination to many believers in Jesus Christ over many years.

Have you experienced the beauty of St. Peter’s Cathedral? What did you admire the most? I would love to hear about your visit and would be happy if you would include any additional information or suggestions regarding a visit to St. Peter’s in the comments section below. Many thanks for reading about my tour of St. Peter’s Cathedral and wishing you many Happy Travels!

What to See and What to Do:

Purchase a Ticket for the Hop On/Hop Off Bus

St. Peter’s Basilica
Piazza San Pietro
00120 Citta del Vaticano, Vatican City, Italy
Telephone: +39 06 6988 3731

Admission Fee: Free admission with an additional charge to visit the dome. Dome fees: elevator to the terrace level and climb up the 320 steps for 10 Euros or climb up the 551 steps for 8 Euros.
Buses/Trains Info: Buses 40, 44, 84, 780 and 810; Metro station: Colosseo: Line B
Hours: Daily from 8:00AM to 5:00PM from October 1 to March 31 and daily from 8:00AM to 6:00PM from April 1^st to September 30.
Amenities: Audioguides and Radioguides are available.
Guided Tours and Audio Guides: Audioguides are provided in Italian, German, Polish, Spanish, French and English, while Radioguides are also available.
Scenic View: Spectacular view from St. Peter’s dome
Length of the Tour: 2 – 3 hours
Tips for Your Visit: Dress appropriately ensuring that your shoulders and knees are covered (i.e., no tank tops and wear long shorts or capri pants). Remain as quiet as possible.

Where to Stay:

Courtyard Rome Central Park
Via Giuseppe Mosacti 7
Rome 01168 Italy
Telephone: +39 06 355741

Where to Eat:

Pastasciutta
Via delle Grazie 5
00193, Rome Italy
Telephone: +39 333 650 3758

The first day I tried this restaurant, I ordered the Pappardelle alla Carbonara. I had been waiting for the opportunity to try this Italian dish and fell in love!

My second day of visiting, I tried the Pappardelle ai funghi (mushrooms). Excellent for the price!

What to Eat:

Artichokes: steamed or fried
Cacio e Pepe: Cacio is a type of cheese from Rome’s countryside made from sheep’s milk. The dish is served over pasta and seasoned by black pepper.
Carbonara: creamy white pasta served with pancetta and noodles
Gelato: You have not had gelato until you have had it in Rome!
Maritozzi is a popular breakfast pastry with chocolate chips served with espresso. Some maritozzi are filled with cream as well.
Pecorino Romano cheese
Pizza al Taglio is Rome’s answer to pizza with red sauce, meats, vegetables and cheeses. I also love the Italian margarita pizza with red sauce, mozzarella cheese and topped with basil.
Porcetta: Pork wrapped around herbs and roasted on a spit
Saltimbocca is a dish made with veal and sage wrapped in prosciutto, cooked in white wine and butter.
Suppli is considered an Italian snack made of rice and meat with tomato sauce and filled with mozzarella cheese and then deep-fried. It reminds me of arancini in the US.

Where to Drink:

Il Goccetto (for wine)
Via dei Banchi Vecchi, 14
00186, Roma RM, Italy
Telephone: +39 06 9944 8583

Terrazza Borromini
Via di Santa Maria dell’Anima, 30A
00186 Roma RM, Italy
Telephone: +39 06 6821 5459

While the drinks are pricey, it will be worth the cost for the fabulous views.

What to Read:

Imperium, by Robert Harris
Roma, by Steven Saylor
SPQR, by Mary Beard
The Twelve Caesars, by Robert Grave

Photo Guide for Rome:

Campo de’ Fiori for photos of the market
The Colosseum
Monti for upscale boutiques, restaurants and vintage stores
The Pincio Terrace overlooking Piazza del Popolo in northern Rome
The top of St. Peter’s Basilica
Trastevere neighborhood for scenic alleyways, artisan workshops, the piazza at sunset, and tiny boutiques. Find the corner of Vicolo delle Torro off of Via della Lungaretta for photo-worthy pics.
Trevi Fountain

White Marble Saints

The Ceiling of St. Peter’s Basilica

A Circular Roundel in St. Peter’s Basilica

Bath, England: Ancient Rome’s Influence on the United Kingdom

14 January 20253 May 2025

Bath, England, was once an artists’ paradise where the likes of Jane Austen, the famous writer, made frequent visits as a child. Today, visitors from all over the world are drawn to the historical Roman baths, the beautiful Bath Abbey and the quaint pedestrian square lined with British restaurants and souvenir shops.

On our way to Bath, the countryside was dotted with farms and charming villages as well as picturesque cottages and lovingly tended gardens. Corner pubs seemed to have been plucked from a popular London crossroad and relocated to this rural scene.

The purpose of my trip to Bath was to explore the Roman Baths, the site of Aquae Sulis and the surrounding courtyard, that were built here in the 1^st century AD. Rome’s empire spanned as far as England at the height of its success and this therapeutic pool of water is what remains of Rome’s influence on this area.

Our big red bus dropped us off in the heart of Bath so we followed the crowds making their way to the Roman baths and took in the extraordinary charm of the town. The cobblestone roads and Georgian architecture reminded me of Jane Austen’s book about Bath’s high society in Northanger Abbey and her novel, Persuasion.

The sky had been threatening to rain all morning, but seemed to have held off for now. Our wait in line extended out the doors and around the corner near Bath Abbey and somehow I managed to bring up the end.

While standing in line, I noticed the square was surrounded by four story buildings with shops, restaurants and bakeries on the ground floor open for business. The Roman Baths Kitchen, Jack’s of Bath, tourist center to exchange money, the Cornish Bakery, the Edinburgh Woolen Mill, Hawkin’s Bazaar were well lit and provided a respite from the drizzling rain.

Bath Abbey stands behind me in the Abbey Church Yard in the heart of the city. The dark, carved wooden arched doors, gorgeous stained glass windows and yellow-hued Bath stone are highlights of the Gothic façade, while its crown jewel are the stone angels climbing up Jacob’s Ladder towards heaven. The church is dedicated to Saint Peter and Saint Paul and was formerly a Benedictine monastery founded in the 7^th century.

Our entry into the Roman Baths provided us access to the upper and lower levels of the museum. Following along the top floor of the complex, statues of Roman emperors and British governors lined up at intervals along the terrace overlooking the Great Bath. From this point of view, I clearly noticed the green water of the bath below and wondered if it was warm, as steam seemed to have been coming off of the pool. A doorway led into a dark room where well lit exhibits provided a timeline and explained how Rome transformed the Sacred Spring of Bath into England’s first spa.

The Sacred Spring not only fed into the baths, but was a collection pool for curses and offerings to the gods and goddesses. Metallic inscriptions on lead or pewter contained curses where locals would write the names of the suspects and blaspheme them for their wrongdoing, many times for theft or perjury. Offerings to the goddess included jewelry, personal belongings or even coins. Some of the currency dated back to the Republic when Augustus was Caesar of Rome.

The lower level leads to the Great Bath yet the complex extends beneath the square and streets of town. The water’s natural temperature is a steady 46 degrees Celsius. The pool’s depth is just over five feet and stairs lead down on each side. Tables and benches may have lined the sides of the pool where visitors could enjoy drinks and snacks.

Large pipes of water extended from the Great Bath on the east and west sides creating additional spa features to the complex. The baths were constructed where the patrons would begin with the hottest bath to the coldest. The hot plunge bath, known as the Caldarium, was heated by a system under the floor called the hypocaust. They were constructed of stacks of pilae (tiles) that allowed the heated air to circulate throughout the floors and surrounding walls. The Laconicum, similar to today’s sauna, was a small room with intense heat designed to induce sweating.

The final bathing experience was the cold bath which helped close the pores of the skin. The water would have come from outside of the baths, most likely a nearby cold water spring. The two columns were added in 1904 as additional support when electric trams were installed.

Adjacent to the Roman Baths was the Temple of Sulis Minerva, honoring the native Celtic goddess of the spa, who carried out the curses provided to her in the Sacred Spring. The temple, built in the classical style, had four large Corinthian columns that supported both the Temple Pediment and beautifully decorated frieze. The Temple Pediment, discovered in 1790, is one of the most fascinating relics of the temple. The detail in this piece of artwork is thought to have come from the area of Gaul in the first century AD.

An inscription that was found in the Temple of Minerva is dedicated to the goddess Sulis Minerva and may have been the podium that supported her statue. Identified as the Haruspex stone, it was committed to the temple by a Haruspex priest L. Marcius Memor, who had the power to provide consulting services and made important decisions for the temple.

Several tombstones and relics on display represent the kinds of people who lived and died near the Roman bath. Many came to Bath, from Europe, leaving their homes to find work here. One stone inscription was identified as the gravestone of Rusonia Aventina who passed away at the age of 58. She came to Bath from Metz, France.

Another fascinating find was the altar where the priests conducted animal sacrifices. Several altar stones and inscriptions were found at the Temple of Sulis Minerva. Discovered in 1965, two of the cornerstones remained in their original positions. The pedestal carvings depicted the Roman gods, such as Bacchus and Jupiter and were thought to have been painted.

The bronze head of Sulis Minerva is one of the rarest objects from Roman Britain as there were only two other fragments of its kind. Discovered in 1727, it is said that it was most likely from the statue of Sulis Minerva that stood in the temple. Dating back to the first century, there are several layers of bronze gilding applied at various stages over time.

Shortly after the discovery of the first century Roman Baths, John Woods and his son revived the town of Bath into a spa resort once again in the 18^th century. They added to the landscape by building The Royal Crescent’s thirty townhomes were decorated with beautiful Ionic columns and Palladian molding. Today it is a museum and houses the Royal Crescent Hotel.

The charm of this town is in its Gregorian architecture and the pedestrian square and it is just as I had imagined it would be, thanks to the writings of Jane Austen.

Have you had the opportunity to visit the charming English town of Bath? I would love to hear about your experience if you would kindly leave a message in the comments section below. Many thanks for reading about my excursion to Bath from London and wishing you many Happy Travels!

What to See and What to Do:

The Roman Baths, Bath
Abbey Church Yard
Bath, BA1 1LZ
United Kingdom
Telephone: +44 1225 477785

Admission Fee: £16.50 for adults (18 – 59); £10.25 for children ages 6 -16; children five and under are free; Seniors (65+) are £14.50
Hours: January to February: Open from 9:30AM to 5PM; March 1 – April 18: Open from 9AM to 5PM; April 19 – April 22: Open from 9AM to 7PM; April 23 – June 20: Open from 9AM to 5PM; June 21 – August 31: Open from 9AM to 9PM; Open September – October: 9AM to 5PM; November to December: Open 9:30AM to 5PM
Amenities: local guides, museum, restrooms, audioguides, WiFi throughout the site
Scenic View: Upstairs there are stunning views of the baths below.
Length of Visit: 2 hours
Tips for Your Visit: Wear comfortable shoes for walking. No re-entry is provided. Photographs are permitted. There is no bathing at the baths.

Where to Stay:

The Royal Crescent Hotel & Spa
16 Royal Crescent
Bath, BA1 2LS
United Kingdom
Telephone: +44 1225 823333

Where to Eat:

Sotto Sotto
10 North Parade
Bath, BA2 4AL
United Kingdom
Telephone: +44 1225 330236

What to Eat:

Fish and Chips – fried fish and French fries
Sunday Roast with Yorkshire Pudding – usually eaten from noon to five on Sundays
Full English Breakfast – includes eggs, sausages, potatoes, mushrooms, blood pudding, tomatoes and toast
Pie and Mash – typically a simple steak and kidney pie or pork pies, this is a classic British comfort food served with mashed potatoes and gravy
Bangers and Mash – which is sausage served with mashed potatoes and gravy
Cockles – a small type of clam
Eton Mess – a dessert made of merengue, cream and strawberries
Sticky Toffee Pudding – a moist sponge cake baked with dates or raisins and smothered in toffee sauce served with custard or ice cream
Afternoon tea – with teacakes, scones, jam and clotted cream as well as champagne and tea
Beef Wellington – filet steak covered with pate and wrapped in puff pastry

What to Read:

Northanger Abbey, by Jane Austen
Bath Tangle, by Georgette Heyer
Persuasion, by Jane Austen

Photo Guide to Bath:

The Roman Baths
The Town of Bath

The Roman Baths of Bath, England

Funerary Statue at Bath, EnglandAncient Coins found in the Roman Baths of Bath, England