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Tag Archives: lintels

The Mystery of Stonehenge

21 January 20253 May 2025

My friend David arrived in London where we spent time with his son and girlfriend.  Before leaving for Paris, we made plans to visit Stonehenge which had been on our bucket lists for quite some time.  Deciding to make a day of it, we booked a tour that included a stop at the luxurious Windsor Castle and the charming town of Bath.

Before we reached the entrance to Stonehenge, we could see the Stone Circle from miles away.  In the distance, the stones seemed small and unassuming until the bus continued up the drive to the Visitor Center and an eerie wave of fog rolled in

Stonehenge, a unique, circular arrangement of bluestone, is located 80 miles west of London in the county of Wiltshire in the central part of southern England.  Standing in the midst of English farmland, the closest town to this architectural phenomenon is Amesbury, 2.5 miles east.

David and I agreed that had we not read about Stonehenge prior to our arrival, we may have left here more confused.  The mere fact that this structure had survived thousands of years is enough to appreciate its simplicity.  We debated on how the rocks could have been arranged so long ago with limited tools.  So mystifying and magical,

Archaeological estimates date the first initial stage of Stonehenge to have been built around 3,000 BC when the large circular stonework was erected.  Sarsen stones were placed in the shape of a horseshoe while an additional circle of bluestones were added in between them about 500 years later.

What remains of Stonehenge today is the ring of thirty stones that stand 13.5 feet high, 7 feet wide, weighing about 25 tons per stone.  Recent scientific finds have uncovered burial mounds nearby which date back to the Bronze Age, long after the stones were initially raised.

The fog was beginning to lift as we departed the bus at the Visitor’s Center and boarded a tram that took us to a path leading to Stonehenge.  There were several posted placards along the trail leading to Stonehenge providing additional information about the structure as well as additional earthworks surrounding the Stone Circle.

We came to a fork in the path where we could take a short detour to the Heel Stone where the Avenue meets the earthwork enclosure. This rock remains in its natural state, untouched by tools.  Legend declares that it was here where the devil threw a stone at a friar, leaving the friar’s foot imprint upon the stone.  We thought the stone resembled a whale jumping up from the ocean.  Yet one thing is certain, the stone was positioned to mark the rising sun on the day of solstice.

Retracing our steps, we made a left towards the Stone Circle, identifying the larger, outer circle of sarsen stones (“hard silicified sandstone found scattered naturally across chalk areas of southern England”) the smaller formation of bluestones towards the center.  Had the weather cooperated with a bit of sunshine, we may have been able to see the orange-brown and blue colors of the stone.

We identified stone lintels and tried to imagine Stonehenge when it was first constructed known as the place of the “hanging stones”.   Making an educated guess, we tried to determine where the altar stone would have been located.  We wished we would have brought binoculars to try to find the slaughter stone or to identify stone number 53, which is said to show evidence of the Mycenaen civilization.  Because the Stone Circle is roped off to preserve the land within and surrounding the stones, we were limited to how close we could reach the structure.

Surprisingly, at about the time we were ready to make our way back to the Visitor’s Center, the sky began to clear up just enough for us to explore the huts of the prehistoric inhabitants near Stonehenge and make a quick stop at the gift shop to purchase a Stonehenge Woolly Jumpers Sheep Tea Pot.

Prehistoric in nature, several theories have tried to explain how these stones at Stonehenge were erected and why.  The most popular beliefs are that it was once a Druid temple or a cult center.  It may be a simple as a place where ancestors worshipped or as complicated as an astronomical computer for predicting eclipses and solar events.  We may not determine the reason in our lifetime, but Stonehenge is undoubtedly a once in a lifetime experience during the summer solstice and continues to attract over one million visitors per year.

Have you visited Stonehenge?  Did you take an excursion from London or stay local?  If you are interested in learning more about this fascinating World Heritage site, I recommend the book by Christopher Chippindale titled, Stonehenge Complete.  Many thanks for taking the time to read about my visit to Stonehenge and wishing you many Happy Travels!

What to See and What to Do:

Stonehenge
Amesbury
Salisbury SP4 7DE, United Kingdom
Telephone: +44 0370 333 1181

  • Admission Fee:  £19.50 for adults (16 – 59); £11.70  for childrens ages 5 -15; children for and under are free; Seniors (60+)  are £17.60
  • Hours:  Open daily from 9:30AM to 5PM
  • Amenities:  Outdoor archaeological site, museum, cafe, museum store, restrooms, special events
  • Scenic View:  The Stonehenge Archaeological site
  • Length of Visit:  1 – 2 hours
  • Tips for Your Visit:  Do not climb over the ropes; stay within public areas permitted by visitors.  Check out the exhibits.  During my visit, there were over 250 archaeological artifacts on display from pottery to ancient human remains.

Where to Stay:
Budget Hotel

George Hotel
19 High Street
Amesbury, Salisbury
SP4 7ET, United Kingdom
Telephone:  44 1980 622108

Where to Eat:

Solstice Bar & Grill
Mid Summer Place
Tidworth, Wiltshire SP4 7SQ
United Kingdom
Telephone:  +44  0845 241 3535

What to Read:

  • Stonehenge, by Bernard Cornwall
  • Stone Lord: The Legend of King Arthur, the Era of Stonehenge, by J.P. Reedman
  • The Pillar of the Sky, by Cecilia Holland
  • A Brief History of Stonehenge, by Aubrey Burl

 

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Pharaoh Exhibit at the Cleveland Museum of Art

8 September 201616 September 2024

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The Cleveland Museum of Art is known for its impressive impressionist collection and is one of the most visited in the world. I had always wanted to visit and when I learned about an additional exhibit based on an Egyptian collection, I was ready to make the two-drive to explore both exhibitions.

Entering the museum, I was overwhelmed with excitement to view the new exhibit:  Pharaoh, King of Ancient Egypt.  For months, I had been eager to explore this amazing showcase with over 200 ancient artifacts on loan from the British Museum.  This exhibit provided an in-depth insight into the life, customs and culture of the Egyptian Pharaohs who ruled from 3000 BC to 30 BC.

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The ancient Egyptians worshiped hundreds of gods and goddesses. The pharaoh was not only the ruler of the Egyptian kingdom but a religious figure as well. According to their beliefs, the pharaoh, an earthly representation of the god Horus, took human form to keep order within the kingdom of Egypt and to protect its citizens.  Through various rituals, the pharaoh would attempt to please the gods in hopes to grow abundant crops and defeat their enemies.   This was displayed by the 5-foot statue of Seti II seated on his throne while making an offering to the god, Amun, symbolized by a ram’s head on the shrine that Seti is holding.  At the base of the statue is the carved name of Seti II, known in Egypt as a cartouche.

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Once the pharaoh died, the Egyptians believed that he (or she) would be transformed as the god Osiris, the ruler of the underworld.  Within his tomb, offerings of bread, wine and carved figures were given as gifts to the gods.   The goddess Sekhmet was considered the “daughter of Ra”, a very powerful god, associated with the sun.  She could also transform herself into the uraeus, the rearing cobra, displayed on the crown of the pharaohs.

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One exhibit showed the Head of Pharaoh Mentuhotep II, a perfect example of the uraeus.  His white crown symbolized the rule of the land of Upper Egypt while a red crown represented the rule of Lower Egypt.  When the kingdoms were combined, the crown included both symbols of Upper and Lower Egypt.

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In addition to statues, figures were also carved into the lintels of Egypt’s extravagant temples.  The new pharaoh would leave his mark by building his own temple where the writing on the lintel would reference his rule.  The lintel of Amenemhat III is a fine example of what would have been built in the time period of 1859 BC to 1814 BC.

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During the Ptolemaic Period, when Greeks ruled Egypt, the tradition of building temples in the Egyptian style continued.  According to the exhibit placard, it reads, “Pharaoh Ptolemy I presents grass and a papyrus plant to Hathor, goddess of fertility and joy.  These plants symbolized Upper and Lower Egypt; together they represented the unification of the Two Lands.”

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Smaller figurines of the pharaoh and the gods were also carved out of stone or wood while some were sculpted out of bronze.  The jackal head is thought to have represented the god Horus in southern Egypt while the falcon may have been associated with the Horus of Pe in northern Egypt.

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The colorful stela (writing on stone) of Pharaoh Tuthosis IV showed his offering a gift of papyrus and lotus flowers to Amun-Ra and the deified queen Ahmose-Nefertari, who was the wife of Pharaoh Ahmose.   It is believed to have been created somewhere between 1279 BC – 1203 BC by Kha, the man who is carved into the bottom with his arms raised.

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One of my favorite items in the exhibit was the Coffin Case of Bakenmut.  I was taken by surprise at the beautiful artwork displayed both inside and out.  Although not the sarcophagus of a pharaoh, it was the resting place of a member of the clergy of Amun at Thebes, a very rich man.  It is estimated that it was built between 950 BC – 900 BC and made out of sycamore wood.

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On the interior, there are images of two deified kings, Amenhotep I and Tuthmosis III from Dynasty 18.  It is believed that Bakenmut desired to have an association with these kings in the afterlife.

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I also enjoyed the wing of the exhibit that documented the lives of the royal family. Various everyday items displayed included jewelry as well as tiles and reliefs that decorated their opulent living spaces.  One of my favorite pieces was the scarab beetle that dated back between 1391 BC to 1353 BC.  The scarab symbolized immortality, resurrection, transformation and protection and most used to decorate tombs.

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One of the most fascinating artifacts in the collection was the papyrus that dated back to 2454 BC – 2311 BC.  This document revealed the administrative functions and economic procedures of that time period.  For example, lists of offerings, calendars, accounts and inventory have been found by archaeologists and researchers.

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When the pharaoh died elaborate tombs were designed to assist him with his passing and provided him with the items he would need in the afterlife.  For example, many valuable objects would be buried with the pharaoh such as furniture, food and jewels.  One of the most interesting objects was the shabti, a funerary figurine that was said to act as a servant for the deceased, carrying out manual labor after the pharaoh’s death.  The turquoise Shabti of Seti I was said to have been carved from 1294 to 1279 BC.

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Inside of the tomb, reliefs were painted to show images of the pharaoh in the afterlife.  Seti I was the father of Ramses II and his tomb was considered the longest and deepest of all tombs discovered in the Valley of the Kings in Thebes.  The fragment from his tomb has retained its original color and was part of the doorway .

The pharaoh lived a life of luxury not only on earth, but beyond his death.  Valuable artifacts that were once the property of the pharaohs show the extravagant lifestyle for which they were accustomed.  While many of us believe “you can’t take it with you”, the Egyptians would vehemently disagree.

The Pharaohs exhibit at The Cleveland Museum of Art was an insightful opportunity to explore the lives of the Egyptian pharaohs and to witness firsthand their riches and culture.   The exhibit was on loan from the British Museum and was open to the public from March 13th to June 12th, 2016.

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Have you had the opportunity to visit the Cleveland Museum of Art?  What was you favorite exhibit?  I would love to hear from you if you would kindly leave a message in the comments section below.  Many Thanks and Happy Travels!

What to See and What to Do:

Cleveland Museum of Art
11150 East Boulevard
Cleveland, OH  44106
Telephone:  216 421 7350

  • Admission Fee:  Free for the permanent museum exhibits. Additional fees may apply for special exhibits and tickets can be purchased online, at the ticket center or by calling 216 421 7350.
  • Hours:  Open Tuesdays, Thursdays, Saturdays and Sundays from 10AM to 5PM; Open on Mondays and Wednesdays from 10AM to 9PM. Closed Mondays.  Closed on the following holidays:  New Year’s Day, Independence Day, Thanksgiving, and Christmas. The museum will close at 4PM on Christmas Eve and New Year’s Eve.
  • Amenities:  On-site library and archives, restaurant, café, and museum store
  • Length of Visit:  At least 3 hours for the permanent exhibit
  • Tips for Your Visit:  Ensure that you have visited the museum’s website to confirm additional exhibits.

Where to Stay:

Glidden House at University Circle
1901 Ford Drive
Cleveland, OH  44106
Telephone:  216 231 8900

The Glidden House is a gorgeous boutique hotel built in 1910.  Located in a prestigious residential neighborhood of Cleveland, this extraordinary French Gothic offers impressive amenities and services.

Where to Eat:

Trentina Restaurant at Glidden House
1903 Ford Drive
Cleveland, OH  44106
Telephone:  216.421.2900

Trentina is the sixth restaurant of Jonathan Sawyer, a James Beard Award winning chef offering Northern Italian cuisine and wine.

Check out more of these phenomenal artifacts from the Cleveland Museum of Art’s exhibit Pharaoh: King of Ancient Egypt!  Enjoy!

What to Read: 

  • Await Your Reply by Dan Chaon
  • The Bluest Eye by Toni Morrison
  • Cherry by Nico Walker
  • The Coming of Fabrizze by Raymond DeCapite
  • Derelict Paradise, by Daniel Kerr
  • The End by Salvatore Scibona
  • A Ghetto Takes Shape: Black Cleveland, by Kenneth L. Kusmer
  • The Greatest Thing Since Sliced Bread, by Don Robertson
  • The Headmaster’s Papers, by Richard Hawley
  • The Silent Syndicate, by Hank Messick
  • The Sparrow, by Mary Doria Russell

Photo Guide for Cleveland:

  • Abbey Road Skyline
  • Brewnuts is not only a lovely donut shop, but its nostalgic art deco interior is perfect for unique photos
  • A Christmas Story House in nearby Tremont
  • Civic Center District to photograph Cleveland’s City Hall, Rock and Roll Hall of Fame and FirstEnergy Football Field
  • The Cleveland Arcade is one of the most photographed location in Cleveland so arrive early (8 or 9) before the crowds arrive.
  • Cleveland MetroParks Zoo
  • Cleveland Murals in Ohio City (close by)
  • Cleveland’s Museum of Art for its phenomenal architecture and exhibits
  • Cleveland Public Library
  • Cleveland Signs
  • Coastal Taco has some of the best views of the river in the city of Cleveland.
  • The Cuyahoga Valley National Park in Brecksville is for nature lovers.
  • The Flying Fig is a yummy cafe where outdoor photos are a must.
  • East Fourth Street is where you will find cozy cafes lining brick walkways
  • The Fountain of Eternal Life honors local residents who served in the military (photograph during the day AND night)
  • Great Lakes Brewing Company
  • Heinen’s Grocery Store to photograph the rotunda overlooking the food court and check out the terrace for additional photos
  • Holden Arboretum in nearby Kirtland
  • Lakeview Cemetery
  • Hope Memorial Bridge is the best place for photographing a cityscape photo of Cleveland
  • Located at Playhouse Square, Yours Truly is a chic cafe with exposed brick and stylish furniture and the infamous GE Chandelier
  • Pour Cleveland is a lovely coffee shop with an artsy interior.
  • Q Arena
  • Rock and Roll Hall of Fame for its spectacular architecture and historical exhibits
  • Settler’s Landing Park is perfect for photographing several iconic locations in Cleveland.
  • Superior Viaduct Bridge
  • West Side Market is absolutely amazing for shooting food photos at each of the stalls, but a trip up to the second level by way of the corner staircase will provide a photo-worthy shot of the market from above.

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Figure of Squatting Baboon, about 1391 – 1353 BC

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Tiles from the Palace of Pharaoh Ramses III, about 1184 – 1153 BC

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Rosette inlays from the Palace of Pharaoh Ramses III, about 1184 – 1153 BC

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Statue of Government Official Sennefer, about 1479 – 1425 BC

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Scarab adorning a finger – ring, about 1648 – 1540 BC

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Great Harris Papyrus, about 1184 – 1153 BC

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Shabtis of the many Pharaohs over the years

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I have had a passion to travel for as long as I can remember and landed my dream job at the age of 19 on a cruise ship. The Suite Life of Travel is about those experiences as well as my future endeavor to explore this amazing world!

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