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Tag Archives: politics

The Roman Forum: The Sacred Road of Julius Caesar

4 March 20252 July 2025

+DSC_0438, Sacra Via, 2014

Strolling along the smooth, round stones of the Via Sacra, I am reminded that “all roads lead to Rome”. To imagine that I was standing at the epicenter of one of the world’s most fascinating civilizations, was hardly a moment I would soon forget.  The ancient ruins ahead were a myriad of fragments representing structures that had been constructed  over a span of centuries.  Other historical buildings remained intact, miraculously surviving the destruction of war and years of plunder.

During the height of its power, Roman streets would have been crowded like a modern day New York City.  Religious temples and political basilicas co-mingled together at the heart of Rome’s Republic.  Prominent partisan figures settled legal disputes and made daily decisions to keep order among its citizens.  While public orators stood on street podiums shouting over the crowds to provide news-worthy updates, the populace remained informed.

The Sacra Via was the most important road of central Rome during the height of its rule.   Over the years the Forum’s landscape would undergo several changes as the “sacred road” had to adapt to its reconstruction and restoration.  Roman rulers left their mark within the Forum removing monuments and temples only to replace them with their own.    

Our first introduction into Roman politics includes a stop at the Basilica of Constantine, also referred to as the Basilica Maxentius.  Not to be confused with a place of worship, this Basilica, with its three large arches was considered ancient Rome’s judicial system.  What remains is only about one-third of the size of the structure and another set of arches would have stood opposite along the Via Sacra.  The space in between was a large hall that would have been as long as a football field made of marble and full of statues, including a gargantuan statue of Constantine, sitting on his throne at the west end of the basilica.  The hand of Constantine shows the enormous size of the statue, which is on display in Rome’s Capitoline Museums.

Because the Romans believed that their gods played a major part in the ongoing success of Rome, temples were built to worship these deities to keep them happy.  Each god represented an important facet of everyday life.  For example, the god of Saturn provided oversight for wealth, agriculture, liberation and time.  The Romans also believed that the Emperors of Rome became gods once they had died and temples were erected in their honor as well, such as the Temple of Antoninus Pius and Faustina.  The price they must have paid to guarantee their immortality.

When the temple was first erected, the tall, 50-foot Corinthian columns would have supported a triangular pediment displaying a number of brightly colored statues.  An inscription on the lintel identifies Antoinus Pius and his wife, Faustina, “divo” and “divae”, representing the deification of the couple.  During the medieval times, the structure was pillaged as evidenced by the diagonal marks on the marble pillars.

Since the 12th century, the temple has been occupied by a church and the green door was once level with the street during the time of Michelangelo.  It wasn’t until the 1800s, when the  excavation of the site uncovered the long staircase which leads to the current Sacra Via.

DSC_0468 - Temple of Vesta

The most sacred location in all of ancient Rome was undoubtedly the Temple of Vesta. Only three short columns remain of the circular temple dedicated to the Roman family, where an eternal flame once stood.  This holy light was tended by a small group of priestesses known as the Vestal Virgins, who were responsible for keeping the torch lit at all times.   Should the light go out, the  virgin responsible for manning the flame would be flogged as punishment.

Nearby, located across from the Temple of Romulus, stands the remains of the Atrio delle Vestali (House of the Vestal Virgins).   Once a beautiful two-story building, the House of the Vestal Virgins accommodated a small group of elite young ladies who dedicated the prime of their lives to the service of Vesta, the goddess of the hearth and patron of the state.

Selected from the noble families of Rome before the age of ten, this revered organization of girls lived together for a period of thirty years, taking a vow of chastity.  If the Vestal Virgin completed her term of service, she was offered a large dowry and could finally marry.  However, if she did not adhere to the requirements of her role, she was buried alive.

DSC_0478 - Caligula's Palace

Each emperor expanded his residence and added more space to his royal palaces.  The Palaces of Caligula and Tiberius were initially built upon Palatine Hill, but over time, extended down the hill into the Roman Forum.   Although very little remains of the Palace, the underground passageway still exists.  Connecting the palace to the Clivus Paltinus Road and the Casa di Livia, this corridor may have well been the location where Caligula was stabbed to death in 41AD.

Our tour guide identified the various points of interest within the Forum to include several temples.  All that remains of the prestigious Temple of Castor and Pollux are the three marble, Corinthian columns. Built in the fifth century BC, it is the oldest structure and most photographed site in the Forum.  The Romans believed that Castor and Pollux, the sons of Jupiter appeared to water their horses at the Sacred Springs of Juturna and therefore a temple was built in their honor.

At the height of Rome’s power, the city exceeded one million residents.  Living in tiny apartments or nearby tents, the area was busy, crowded and dangerous.  In addition to crime, fires would break out, destroying the residential structures built mainly of wood.

DSC_0481 - remains on the altar of Julius Caesar's Temple

One of the most popular locations, identified with flowers and cards is the Temple of Julius Caesar (Ara di Cesare).   A modest structure with a metal roof marks the spot where Julius Caesar’s body was cremated after his assassination.  The temple represents the deification of one of Rome’s most successful Emperors, making Caesar the first Roman leader to become a god.

+DSC_0482 - Basilica Aemilia - entrance arch

Compared to the simple memorial for Julius Caesar, the Basilica Aemilia was anything but ordinary.  Built in the 2nd century BC, this meeting hall served as Rome’s local courts to settle a variety of civil disputes and civic matters and handled the enforcement of legal agreements.  As a litigious city, it was no doubt the basilica required so much space.

Within close proximity to the Basilica Aemilia was the Curia (Senate House), a political meeting space where the elected Senators of Rome determined the laws of the land.  First designed in the 7th century BC, the Curia was the center of government when Rome became a Republic.  The Senate’s President sat at one end while three tiers of wooden seats provided circular seating across from him where they conducted debates.  The Comitium, located in front of the Curia is where the Popular Assembly met.

While Julius Caesar was murdered in the Senate House, it was not at this location.  At the time of his death, a temporary meeting place had been established across town.

During Caesar’s funeral, it was Mark Antony who gave the eulogy on the elevated podium known as the Rostrum.  Built for public announcements, the 10 foot high, 80 foot long platform was a place for citizens to exercise their freedom of speech, while political officials would publicly voice their opinions on a number of partisan issues.

DSC_0512, Arch of Septimus Serverus, mm

Although the Arch of Septimus Severus is within view of the Rostrum, the structure was not completed until 203 AD, long after Julius Caesar had passed.  The triple arch, standing six stories high, represented Severus’ conquest over the Parthians (modern Iran). I have always been fascinated with the arches of the Forum and the propaganda displayed through a series of reliefs and roundels.  Etched into the marble, travertine and brick, the Emperors would document their victories forever in stone. DSC_0510 - Temple of Saturn

While the Romans loved to build temples in honor of their rulers, the sanctuaries to their gods were just as important to them.  They believed that their prosperity and good fortune depended on the happiness of their gods, so they built many shrines to appease them.   Many of the structures also served a dual purpose, such as the Temple of Saturn , first built in 495 BC which housed the Aerarium, the state treasury.  The wealth and riches from Rome’s conquests would have been stored in the pedestal of the statue of Saturn. Eight Ionic columns and a section of the frieze remains of the entrance to the temple, which was the most honorable shrine in the Forum.

The last monument erected in the forum is a lonely Corinthian column to the left of the Temple of Vespasian and Titus, the Column of Phocas.  While the western empire ended in September of AD 476, Phocas became the Byzantine Emperor in Constantinople until he was overthrown in AD 610.  By the time the memorial was dedicated to Emperor Phocas in AD 608, the city of Rome was in decline and would eventually come to an end.

So, while our tour did not last as long as the Roman Empire, it too came to an end and we were offered the opportunity to roam the ruins for an additional thirty minutes.  Before making our way towards the exit, our guide pointed out a set of brick ruins next to the Arch of Septimius Severus identified as the Umbilicus Urbis.  She noted that it was the oldest set of ruins within the Forum and was considered to be the “center of the world”.  It was from this point, that all distances from within the Roman Empire were measured.  While Rome was once the most powerful epicenter of civilization, it was quickly abandoned in the 7th century AD,  It would take over 1,000 years  for this ancient metropolis to be rediscovered and later still to become one of Rome’s most visited historical attractions.

What were your thoughts as you explored the Roman Forum?  Do you have another ancient civilization that has inspired you?  I would love to hear about your adventures if you would kindly leave a comment below.  Many thanks for reading about my visits to the Roman Forum and wishing you many Happy Travels.

What to See and What to Do: 

Roman Forum
Via della Salara Vecchia, 5/6
00186 Roma RM, Italy
Telephone; +39 06 0608

  • Admission Fee:  12 Euros per adult, children under the age of 17 are free;  The Admission Fee includes entrance into the Palatine Hill and the Colosseum.
  • Bus/Train Information:  Buses 40, 44, 84, 780 and 810;  Metro Station – Colosseo, line B- (blue)
  • Hours:  Open daily from 8:30AM to 3:30PM (closed January 1st and December 25th)  The ticket counter closes one hour before closing time.  Confirm with the Roman Forum’s website:  https://turisimoroma.it/cosa-fare/fori
  • Amenities:  audio headsets, tour guides (additional charge)
  • Audio Guides and Guided Tours:  Audio guides are available for a nominal fee.
  • Length of the Tour:  2 – 3 hours total
  • Tips for Your Visit:  Your ticket to the Roman Forum includes The Colosseum and Palatine Hill.  For security reasons, it is strictly forbidden to enter the attraction with backpacks, camping equipment, bulky bags, luggage or trolley.  Medium and small-sized backpacks are permitted, but may be screened by metal detectors.  Bags may also be opened and visually inspected by security.  Wear comfortable shoes and bring your water bottle to refill at the drinking fountains.

Where to Stay:

Hotel Forum Roma
Via Tor de’ Conti, 25, 00184
Rome, Italy
Telephone:  +39 06 67 92 446

We lucked out finding this gem of a hotel in the midst of ancient Rome.  Make sure to stop by the Roof Garden Restaurant for spectacular views.

Where to Eat:

Iari the Vino
Via del Colosseo, 5
Rome, Italy
Telephone:  +39 06 6919 1069

I have to give Peter credit for finding this fabulous spot for lunch.  I thoroughly enjoyed the Calamari salad and he ordered the lasagna. Deliciouso!

Trattoria Da Enzo
Via dei Vascellari, 29,
00153, Roma, RM, Italy
Telephone:  +39 06 581 2260

This restaurant is outstanding for its artichokes, carbonara dishes and Cacio e Pepe

What to Eat: 

  • Artichokes:  steamed or fried
  • Cacio e Pepe:  Cacio is a type of cheese from Rome’s countryside made from sheep’s milk.  The dish is served over pasta and seasoned by black pepper.
  • Carbonara: creamy white pasta served with pancetta and noodles
  • Gelato:  You have not had gelato until you have had it in Rome!
  • Maritozzi is a popular breakfast pastry with chocolate chips served with espresso.  Some maritozzi are filled with cream as well.
  • Pecorino Romano cheese
  • Pizza al Taglio is Rome’s answer to pizza with red sauce, meats, vegetables and cheeses.   I also love the Italian margarita pizza with red sauce, mozzarella cheese and topped with basil.
  • Porcetta:  Pork wrapped around herbs and roasted on a spit
  • Saltimbocca is a dish made with veal and sage wrapped in prosciutto, cooked in white wine and butter.
  • Suppli is considered an Italian snack made of rice and meat with tomato sauce and filled with mozzarella cheese and then deep-fried.  It reminds me of arancini in the US.

Where to Drink:

Il Goccetto (for wine)
Via dei Banchi Vecchi, 14
00186, Roma RM, Italy
Telephone:  +39 06 9944 8583

Terrazza Borromini
Via di Santa Maria dell’Anima, 30A
00186 Roma RM, Italy
Telephone:  +39 06 6821 5459

While the drinks are pricey, it will be worth the cost for the fabulous views.

What to Read:

  • Imperium, by Robert Harris
  • Roma, by Steven Saylor
  • SPQR, by Mary Beard
  • The Twelve Caesars, by Robert Grave

Photo Guide for Rome:

  • Campo de’ Fiori for photos of the market
  • The Colosseum
  • Monti for upscale boutiques, restaurants and vintage stores
  • The Pincio Terrace overlooking Piazza del Popolo in northern Rome
  • The top of St. Peter’s Basilica
  • Trastevere neighborhood for scenic alleyways, artisan workshops, the piazza at sunset, and tiny boutiques.  Find the corner of Vicolo delle Torro off of Via della Lungaretta for photo-worthy pics.
  • Trevi Fountain
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My Interview with Artist Jimi Jones, Leader of the NeoAncestral Movement

21 May 201615 September 2024

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Interviewing Jimi Jones was, for me, the opportunity of a lifetime.  I admired his latest collection at The Springfield Museum of Art in Ohio where he was the headline exhibitor at this Smithsonian-affiliated institution.

Arriving at Jimi’s studio in downtown Cincinnati, I was a bit jittery with excitement as this was not only my first interview, but a chance meeting with an artist I admired.  Having recently written my amateur, artistic review of his work, I was more than elated when he contacted me through my website and suggested I meet him in person to weigh in on my thoughts.  I had so many questions to ask him and looked forward to this opportunity.

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Jimi Jones has mastered the ability to tell a story through his paintings.  His artistry evokes thought-provoking debates and cleverly captivates the mind of his audience.  The masterpieces that have been majestically displayed at numerous museums represent all aspects of human culture to include history, politics, philosophy and religion.

1-ss-turner-1996

Providing his audience with a glimpse of history, Jones’ first painting on display at his Faces & Places exhibit was the “SS Turner”.  Artist JMW Turner, with the ambition of making a political statement, painted his macabre work of art based on the horrific fate of the slave ship, Zong.  It was his hope that it would encourage Britain to change its current pro-slavery beliefs.   Taking inspiration from Turner’s historical art work titled “The Slave Ship”, Jones has also shown his passion for modern day public opinion, political issues and ethical concerns.

Jimi Jones’ ethereal “SS Turner” is also an anti-slavery piece, yet centered around the Civil War Era. Jones admired Turner’s powerful approach in exhibiting his view on the current politics of the day.  It is through his paintings that Jones has found his calling in displaying his position in a subtle way that invokes both contemplation and conversation.  It is his hope that he can create a masterpiece that “will make a difference [in one’s life] or even change a country’s thoughts.”

I felt privileged that Jimi would grant me the insight into the thought process of his artistic prowess.  His art is thoroughly planned and deliberate long before he takes his first stroke upon the canvas. Studying “The Slave Ship”, he explained how selecting the color red for the soldier’s jacket represented bloodshed and that the ghostly blue was perfect for symbolizing death.  I felt the intensity of pain through the graphic, diagonal lines as the slave ship lingered in the distance, while the innocence of the slave woman in the background tugged at my heartstrings.  It was because of this painting, I wanted to learn more.

4-why-these-cultures-2008

One of the most fascinating pieces of Jimi Jones’ exhibit was titled “Why These Cultures”. At first glance, I desperately wanted to understand the connection between the young African girl to the left of the painting and the Geisha girl towards the right.  “Why These Cultures” perfectly exemplifies the societal differences between the Eastern and Western cultures, but how can they relate to one another?

As I studied the layers of complexity to this painting, I found myself more and more drawn to the intricate detail that only establishes Jones as one of the greatest artists of our time.  His defined use of sepia and pression blue are hypnotizing, but the colorful elements of the costumed horses and the facial expressions of their riders are astonishing.  I am afraid that if I stare too long or too closely, the characters will convince me to make their acquaintance.  A quick jump into the painting and my life would be forever changed as my destiny would be decided between the cultures of the East or the traditions of the West.

6-thom-phelps-2014

Jimi Jones is a self-proclaimed Renaissance man and one of his favorite, artistic legends is Rembrandt.  While many artists included their likenesses in their paintings or commission their own portraits, I found it interesting that Jones would paint a collection of friends and acquaintances to establish his own portraiture.  It is a fascinating thought as he explains that “We are a reflection of the people we knew and the people that supported us.”  We take on their habits, are influenced or challenged by their beliefs and model their behavior to make us who we are today.

One of Jones’ supporters and fellow artist is Thom Phelps.  They came together to collaborate on an ideal that led them to the philosophy of “Neo Ancestralism”.  Other influencers in his life include Carl Solway, Owen Findson, Aiden Sims, Catherine Marie Klenke, Courtney Hellebuyck who were honored in his 2016 Faces & Stories Exhibit.  What a beautiful homage to the people that Jimi holds in high regard and credits for making the artist, storyteller, political influencer, historian and man he is today.

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There are so many layers to Jimi Jones and the depth of his thoughts and processes make him bottomless, profound and all the more interesting.  While his artwork is the result of years and years of painting, it is also a manifestation of his life experiences.  A successful career in graphic design that provided him the ability to travel the world and an early passion for art, have laid the groundwork for Jones’ success and the foundation for continued greatness in the future.  I anxiously await his next collection and anticipate the opportunity to be inspired, moved and encouraged to discover more.

Have you had the opportunity to see the artwork of Jimi Jones?  Check out this link for samples of his exhibition pieces: http://jimijonesart.com/exhibitions/martyrs.html.  I would love to hear about your thoughts and artistic opinions if you would kindly leave a message in the comments section below!  Many thanks for reading about my experience learning more about Jimi Jones and his fabulous artwork,

I would like to extend a heartfelt thank you to Jimi Jones for sitting down with me to discuss his amazing artwork!

Disclosure:   Please refer to our blog disclaimer tab for more information.

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About Me!

I have had a passion to travel for as long as I can remember and landed my dream job at the age of 19 on a cruise ship. The Suite Life of Travel is about those experiences as well as my future endeavor to explore this amazing world!

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