Exploring World Civilizations at the British Museum

17 December 20243 May 2025

I was overwhelmed with excitement as I entered each of the rooms at the British Museum. I have never before seen so much history represented in one place. Unprepared for the amazing relics and archaeological objects spanning thousands of years, I was excited for the opportunity to glimpse into the lives and cultures of so many ancient civilizations. Established in 1753, the British Museum is the oldest public museum in the world and in my opinion, one of the most fascinating.

Credited as the first “archeologist”, Roman Queen Helena’s pilgrimage to the Holy Land in the 4^th century AD was focused on preserving the sites and relics relating to biblical accounts of the life of Jesus Christ. It was her desire to protect the Christian items and locations so that others could visit them in the future.

Today, museums such as the British Museum, house spectacular finds through archaeological digs and private collections that span thousands, even millions of years. Covering the rise and fall of some of the most powerful civilizations such as Egypt, Assyria, Greece and Rome, these insights explain their religious, political and societal beliefs. From artwork to architecture and skeletons to sarcophagus, visitors have the ability to understand how these societies evolved over many generations.

Ancient Egypt:

The mummies are one of the most popular exhibits among visitors and are located in rooms 61 – 66 upstairs. On display are some of the various instruments used by embalmers to preserve the bodies before they were entombed. This floor also houses Coptic art, fancy jewelry and one of my favorite statues, the bronze cat with the gold nose ring.

Entering through the main entrance and arriving into the Grand Court, the Egyptian Exhibit is located to the left of the Reading Room in Room 3. Displays of large, colossal statues and Egyptian sculptures dominate the space dating from 3000 BC. One of the most historically significant finds in all of ancient history is the Rosetta Stone.

One of the most visited objects in the British Museum, along with the mummies, is the Rosetta Stone. Unearthed in the Egyptian desert in 1799, the Stone was used by Francois Champollion, a French scholar, to decipher Egyptian hieroglyphics. This black slab of rock included three inscriptions in three different languages (Classical Greek and the two forms of ancient Egyptian) which assisted in the decoding of the Egyptian pictographs. Their biggest breakthrough was when it was discovered that the name of ruler Ptolemy V appeared on the sixth line of the stone. The Rosetta Stone dates back to 196 BC, made in honor of the coronation of Ptolemy. Large stones, such as this one, would have been displayed in temples all across Egypt and there are another seventeen quite similar that have since been discovered.

Not far from the Rosetta Stone (about 20 steps), is the Limestone False Door and Architrave of Ptahshepses dating back to 2400 BC. The door as well as the lintel are inscribed with hieroglyphics which tell the life story of a man named Ptahshepses. False doors were similar to our grave markings today, yet they were used as a ceremonial entrance into the room in which the mummified deceased was buried with his belongings. The purpose of the door was to allow the soul to come and go as it pleased but also used to keep out grave robbers from removing the earthly possessions of the dead.

Towering over the Ancient Egypt complex on the main floor, I easily spotted the Colossal Statue of Ramesses II in the distance. Ramesses took the throne in 1279 BC and reigned for 66 years. Known for his building accomplishments erecting temples, tombs, palaces and a large number of statues of himself, it is debated that he may have been the King of Egypt during the Exodus of Moses.

Weighing in at twenty tons, the full size sculpture stood 8 – 9 feet high. It was the largest Egyptian sculptures the British had ever seen and only the upper half of Ramesses statue is displayed at the British Museum. The statue dates back to approximately 1250 BC and was found in the Ramesseum, the pharaoh’s mortuary temple in Thebes. This memorial complex was built so that Ramesses could be worshiped as a god for many years after his death.

Exiting the Egyptian Room through the door facing the back of the Ramesses statue, there is a set of stairs that leads up to the mummies, coffins and one of the most fascinating displays I had ever seen, the human remains of the Gebelein Man (nicknamed Ginger due to a tuft of reddish hair) a naturally preserved body.

The body was discovered in 1856 in the desert of Egypt in a grave covered by stones. A combination of elements contributed to the preservation of the human tissue to include the hot sand naturally dehydrating and protecting the body and the additional layer of grave stones may have kept animals away. Scientists estimate Ginger to have died 5400 years ago, long before the pyramids were erected. He was found buried with bowls, beads and a flint blade next to his arm.

New technology has brought additional information to light about the death of Ginger. With digital imagery, it was determined that Ginger was “certainly murdered” and “his injuries suggest he was the victim of a deliberate, violent killing….consistent with a stab wound”. Additional information states that he was between the ages of 18 and 21 and was “stabbed by a blade of copper or flint at least five inches long.”

Ancient Assyria

Assyria, known today as modern-day Iraq, was a power-house civilization of the Middle East. Making their way as conquerors and traders, this Semitic culture expanded their dominion in a fierce ruthless manner terrorizing their neighbors from 900 – 600 BC. Some of the most beautiful artwork comes from the Assyrians on display at the British Museum.

Backtracking back to the Rosetta Stone in the Egyptian Gallery in Room 6, there are Two Winged Lions with Human Heads dating back to 870 BC. Found guarding the Assyrian palace of Ashurnasirpal II at Nimrud was called the Lamassu, the god of protection which defended the king from evil spirits. What makes this statue interesting is that it has 5 legs. The small marks between the loins of the Lamassu is cuneiform writing.

Passing through the Two Winged Lion entrance, turn right into Room 7, a narrow red hallway leading into a room with brown stoned panels. The beautifully detailed reliefs would have been painted and varnished, displayed in the throne room of Ashurnasirpal II’s palace. These intricately carved panels tell the story of Ashurnasirpal’s victories and hail him as the greatest king of the world.

Known to be ruthless in battle, the Assyrians carried their brutality into their leisurely activities as depicted in a set of reliefs in Room 10 labeled the Royal Lion Hunt. The impressive artwork depicts the horses and dogs preparing for the hunt while lions await unknowingly until the lions are killed by arrows. Lion hunts were the sport of kings and when wild lions were not available, staged hunts were arranged with animals bred for the fight. One of the reliefs shows King Ashurbanipal riding in a chariot participating in the hunt. Soon after the king’s death, the civilization of Assyria is overthrown by the Babylonians in 613 BC.

In Room 55, an extraordinary artifact is on display. Dating between 1500 – 500 BC it is identified as the “Flood Tablet”, which was found in King Ashurbanipal’s library. While many people are familiar with the story of Noah and the Great Flood, according to this writing, a similar story to the biblical account is referred to as the “Epic of Gilgamesh”. The gods planned to destroy the world with a flood, so Ut-napshti built a large boat to save his family and every type of animal. Of course the finding of this documentation in the late 1800’s caused quite a scandal due to the similarity between the Gilgamesh and Noah accounts.

Ancient Greece:

Visiting Greece last summer, a trip to the Acropolis was one of the highlights of my travels. I remember standing at the bottom stair leading up towards the Propylaea. This Panathenaic Way led to the Parthenon, the temple dedicated to Athena, the goddess of wisdom and victory. Inside, there once stood a colossal statue of her likeness made of gold and ivory, while the exterior was just as extravagant, with columns and colorful relief carvings.

Today, the ninety-two reliefs, known as the Elgin Marbles, are on display at the British Museum. These metopes, carved out of stone, depict war and battle scenes in elaborate detail. Some of them represent mythological conflict, while others portray actual battles. While many visitors stroll the exhibit to view the fifth century artwork, many are also intrigued by the political controversy that surrounds the display…should these ancient artifacts stay in London or should they be returned to Greece?

Ancient Rome:

The Romans embraced many gods from various cultures and celebrated an assortment of beliefs. From Persia, they adopted the worship of Mithras, or Mithraism which involved a number of initiations and rituals. The Mysteries of Mithras lasted in Rome between the first and fourth centuries so there is limited knowledge about the religion. It was so secretive that there were underground temples. What remains of this faith are several marble sculptures portraying the god Mithras, including the Statue of Mithras on display at the British Museum.

Dating somewhere around the 2^nd century, the beautifully carved stone shows Mithras performing the ritual slaughtering of a bull. Wearing a Phyrgian cap and trousers, his attire depicts the fashion of the east. The bull’s blood was said to have had cleansing properties, which would explain the dog and snake licking the blood, while the scorpion is shown attacking the bull’s testicles.

The detail of this sculpture, the flowing skirt and cape, and the folds in the shirt are exquisite. The sculptor is unknown, but it is one of the most fascinating pieces of Roman art in the museum.

The British Museum collection includes additional artifacts from other cultures around the world. For example, the North American Otter Pipe, found in Ohio dates back to 200 BC – AD 100 or the Shang bronzes from 15=00 BC. There are modern plaques from Africa, Mayan statues, and the Lewis Chessman found on an Isle in Scotland. Even the Great Court and Reading Room are both impressive and historical.

Have you had the opportunity to visit the British Museum? What was your most fascinating memory of your visit? I would love to hear about your experience if you would kindly leave a message in the comments section below. Want to know where to go, eat and stay in London? Check out more of my recommendations below for a magical experience in London! Many thanks for exploring the British Museum through my post and wishing you many Happy Travels!

What to See and What to Do:

The British Museum
Great Russell Street
Bloomsbury, London WC1B 3DG, UK
Telephone: +44 20 7323 8000

Admission Fee: There is no fee for visiting the British Museum
Hours: Open daily from 10AM to 5:30PM and open until 8:30PM on Fridays
Amenities: scheduled tours, audio guides are provided in 10 languages, special exhibitions, restaurant, cafes, shops
Scenic View: Photograph the glass ceiling of the round reading room designed by Sidney Smirke
Length of Visit: At least 2 – 3 hours to see the highlights
Tips for Your Visit: Wear comfortable shoes for walking, pick up a map of the venue for planning your visit.

Where to Stay:

The Montague on the Gardens
15 Montague Street
London WC1B 5BJ, UK
Telephone: +44 20 7637 1001

Where to Eat:

Afternoon Tea at The Montague on the Gardens
15 Montague Street
London WC1B 5BJ, UK
Telephone: +44 20 7612 8416

On my first visit, I happened upon the Safari Themed afternoon tea which included an African-themed menu. I enjoyed a selection of finger sandwiches of African-spiced chicken and apricot, scones baked fresh with Devonshire clotted creme, a giraffe macaron with toasted coconut mouse, banana meringue and a wide variety of teas to include traditional, flavored, aromatic, fruit and green teas. I couldn’t pass up the Leopard Cocktail made with Amarula cream liquor, decorated with leopard spots and a paw print.

On Sunday, I returned for the Free Flowing Champagne garnished with fresh strawberries. From 2 to 6, I could enjoy as much champagne as my heart desired along with a wonderful selection of scones, pastries, sandwiches and cakes.

What to Eat:

Afternoon Tea at Fortnum & Mason’s Diamond Jubilee Tea Salon in Piccadilly
Bangers and Mash at Mother Mash in Soho
Beef Welington at Simpsons on the Strand
Cockles, a type of clam, are best tried at Borough Market
Crumpets, similar to English Muffins should be ordered at Ask for Janice in Farringdon
Eton Mess is an amazing British dessert made of crushed meringue, cream ans strawberries at the National Cafe at the National Gallery
Fish & Chips at Poppies Camden in London
Full English Breakfast, which also includes blood pudding (a blood sausage) at The Ivy
Pie and Mash at the Windmill Mayfair
Pimm’s Cup, a gin-based drink made with ginger ale or lemon lime soda, fruit and mint is the official drink of Wimbledon and is best ordered at Lido Cafe Bar in Hyde Park
Scones at Gail’s Bakery
Scotch Egg is a dish that includes a hard boiled egg wrpeed in sausage meet, breaded and then fried; Try this at Fortnum & Mason’s Diamond Jubilee Tea Salon in Piccadilly
Shepard’s Pie is on the menu at The Ivy Restaurant
Sticky Toffee Pudding at the Queens Arms in Kensington
Sunday Roast with Yorkshire Pudding in Nottinghill at The Windsor Castle
Toad in the Hole, a pastry filled with sausage at Bistro Union
Victoria Sponge is a vanilla sponge cake filled with jam and whipped cream at the Wallace Collection Museum

What to Read:

A Parcel for Anna Browne by Miranda Dickinson
A Week in December by Sebastian Faulks
Absolute Beginners by Colin MacInnes
Act Like It by Lucy Parker
Bridget Jones’s Diary by Helen Fielding
London: The Novel by Edward Rutherford
My Best Friend’s Girl by Dorothy Kroomson
Oliver Twist, by Charles Dickens
The Adventures of Sherlock Holmes by Arthur Conan Doyle

Photo Guide to London:

The Lobby of the British Museum
Covent Garden Market
St. Paul Cathedral from the Restaurant Madison at One New Change, Millenium Bridge or Paternoster Square
Summerset House, especially during the Christmas holiday
The houses of Notting Hill
The architecture of Pancras Renaissance Hotel
Saturday market at Portobello
For amazing views, photos from the Coppa Club, close to Tower Bridge
The lovely pink cafe in London, Peggy Porschen
Panorama of London from Sky Garden Rooftop
Street art in Shoreditch
Leadenhall Market looks like Harry Potter’s Diagon Alley
South Bank for photos of the Thames
Panoramic Views of London from the London Eye
Saint Aymes Cafe for lovely feminine photos

The Baths of Miletus

19 September 202317 March 2025

Approaching the archaeological site of Miletus, it is obvious that there is a large influence of Roman architecture and tradition that once made an impact on this city. One of the more important customs was that of public bathing.

In the city of Miletus there were three bathing areas: the Capito Thermae, Humei Tope Thermae (in the north) and the Faustina Thermae operating in the south. During the First Century BC, Cnaeus Vergilius Capito donated the resources for a large building complex which would contain an exercise area and baths. An inscription located on the northern section of the Ionic Stoa, confirms his donation. Because baths were more of a social activity among the Romans, this compound was perfectly situated between the Delphinion and the Hellenistic Gymnasium. In the Palaestra, the exercise area, was a swimming pool. There were three sections to the baths (Thermae) which were the dressing rooms, the warm bath and the hot bath.

The Delphinion was built near the Harbour of Lions as a sanctuary of Apollo Delphinios who was the patron saint of sailors and ships. It was first constructed in the 6^th century BC, and went through several updates before it was destroyed in the 5^th century AD. The ruins clearly show the remains of a circular temple which was once protected by a roof and sheltered the altar where the residents brought their offerings. There were inscriptions found on the inner walls of the stoa and on the stelae indicating that this location was also once the city’s archive.

Many of the ancient ruins were not without a Nymphaem, which was one of the most important features of the city. This fountain was considered to be one of the most impressive of all of the Ionian cities. A three story structure with a façade that displayed Corinthian columns, it is said to have looked much like the façade of the Library of Celsius in Ephesus. You can find the Nymphaem on the western part of the city between the northern Capito Thermae and the southern North Agora and the Gymnasium of Eudemus. The structure also contained niches and pedestals on which statues would be displayed. The statues represented gods and demi-gods and it was estimated that there was a total of 27 throughout the building.

The South Gymnasium also known as the Gymnasium of Eudemis, was built on a north to south axis on the southern part of the city. On the esatern side of the Sacred way leading to the sanctuary of Didymia is an Ionic Stoa. It was quite long with seven steps leading up to the 36 columns supporting a beautifully decorated frieze. The original structure was built during the Flavian dynasty and further alterations were completed during the time of the Emperor Trajan.

Within close proximity to the theater were the Faustina Baths, which were built in the second century AD under the direction of Marcus Aurelius’ wife. These were the dressing rooms for the baths. At its height, the baths were an extensive complex with large fountains in various shapes such as the river god Meander, a small lion and other statues of the gods.

The building was a single story structure which included hot and cold baths, an area for physical exercizes and exquisite sculpture decoration. There were 13 rooms on each side which acted as changing rooms for the visitors. There were also beds provided in these rooms for the visitors in the event that they would want to rest.

While visiting Miletus, it is a bit difficult to imagine that this city was once a port town, situated on a peninsula, with three harbors on the west and one on the east. The harbors have since silted up to the point that the site now sits 5 miles inland. Today it is a popular shore excursion from the cruise lines that port in Kusadasi and is well worth the visit if you have an interest in ancient ruins, history and religion.

Have you had the pleasure of visiting Miletus? What aspects of the ancient city did you find fascinating? I would love to hear about your travel experience if you will kindly leave a message in the comments section below. Many thanks for escaping away with me to Miletus and I hope you have many Happy Travels in your near future!

For more information about the beautiful, exotic country of Turkey, check out the following links!

Topkapki Palace
The Blue Mosque
Hagia Sophia
Spice Bazaar and Hippodrome
Ephesus, Turkey: A Journey Back in Time
A Turkish Carpet Demonstration
Kusadasi and its Symbol of Peace
The Theater of Miletus

My Interview with Artist Jimi Jones, Leader of the NeoAncestral Movement

21 May 201615 September 2024

Interviewing Jimi Jones was, for me, the opportunity of a lifetime. I admired his latest collection at The Springfield Museum of Art in Ohio where he was the headline exhibitor at this Smithsonian-affiliated institution.

Arriving at Jimi’s studio in downtown Cincinnati, I was a bit jittery with excitement as this was not only my first interview, but a chance meeting with an artist I admired. Having recently written my amateur, artistic review of his work, I was more than elated when he contacted me through my website and suggested I meet him in person to weigh in on my thoughts. I had so many questions to ask him and looked forward to this opportunity.

Jimi Jones has mastered the ability to tell a story through his paintings. His artistry evokes thought-provoking debates and cleverly captivates the mind of his audience. The masterpieces that have been majestically displayed at numerous museums represent all aspects of human culture to include history, politics, philosophy and religion.

Providing his audience with a glimpse of history, Jones’ first painting on display at his Faces & Places exhibit was the “SS Turner”. Artist JMW Turner, with the ambition of making a political statement, painted his macabre work of art based on the horrific fate of the slave ship, Zong. It was his hope that it would encourage Britain to change its current pro-slavery beliefs. Taking inspiration from Turner’s historical art work titled “The Slave Ship”, Jones has also shown his passion for modern day public opinion, political issues and ethical concerns.

Jimi Jones’ ethereal “SS Turner” is also an anti-slavery piece, yet centered around the Civil War Era. Jones admired Turner’s powerful approach in exhibiting his view on the current politics of the day. It is through his paintings that Jones has found his calling in displaying his position in a subtle way that invokes both contemplation and conversation. It is his hope that he can create a masterpiece that “will make a difference [in one’s life] or even change a country’s thoughts.”

I felt privileged that Jimi would grant me the insight into the thought process of his artistic prowess. His art is thoroughly planned and deliberate long before he takes his first stroke upon the canvas. Studying “The Slave Ship”, he explained how selecting the color red for the soldier’s jacket represented bloodshed and that the ghostly blue was perfect for symbolizing death. I felt the intensity of pain through the graphic, diagonal lines as the slave ship lingered in the distance, while the innocence of the slave woman in the background tugged at my heartstrings. It was because of this painting, I wanted to learn more.

One of the most fascinating pieces of Jimi Jones’ exhibit was titled “Why These Cultures”. At first glance, I desperately wanted to understand the connection between the young African girl to the left of the painting and the Geisha girl towards the right. “Why These Cultures” perfectly exemplifies the societal differences between the Eastern and Western cultures, but how can they relate to one another?

As I studied the layers of complexity to this painting, I found myself more and more drawn to the intricate detail that only establishes Jones as one of the greatest artists of our time. His defined use of sepia and pression blue are hypnotizing, but the colorful elements of the costumed horses and the facial expressions of their riders are astonishing. I am afraid that if I stare too long or too closely, the characters will convince me to make their acquaintance. A quick jump into the painting and my life would be forever changed as my destiny would be decided between the cultures of the East or the traditions of the West.

Jimi Jones is a self-proclaimed Renaissance man and one of his favorite, artistic legends is Rembrandt. While many artists included their likenesses in their paintings or commission their own portraits, I found it interesting that Jones would paint a collection of friends and acquaintances to establish his own portraiture. It is a fascinating thought as he explains that “We are a reflection of the people we knew and the people that supported us.” We take on their habits, are influenced or challenged by their beliefs and model their behavior to make us who we are today.

One of Jones’ supporters and fellow artist is Thom Phelps. They came together to collaborate on an ideal that led them to the philosophy of “Neo Ancestralism”. Other influencers in his life include Carl Solway, Owen Findson, Aiden Sims, Catherine Marie Klenke, Courtney Hellebuyck who were honored in his 2016 Faces & Stories Exhibit. What a beautiful homage to the people that Jimi holds in high regard and credits for making the artist, storyteller, political influencer, historian and man he is today.

There are so many layers to Jimi Jones and the depth of his thoughts and processes make him bottomless, profound and all the more interesting. While his artwork is the result of years and years of painting, it is also a manifestation of his life experiences. A successful career in graphic design that provided him the ability to travel the world and an early passion for art, have laid the groundwork for Jones’ success and the foundation for continued greatness in the future. I anxiously await his next collection and anticipate the opportunity to be inspired, moved and encouraged to discover more.

Have you had the opportunity to see the artwork of Jimi Jones? Check out this link for samples of his exhibition pieces: http://jimijonesart.com/exhibitions/martyrs.html. I would love to hear about your thoughts and artistic opinions if you would kindly leave a message in the comments section below! Many thanks for reading about my experience learning more about Jimi Jones and his fabulous artwork,

I would like to extend a heartfelt thank you to Jimi Jones for sitting down with me to discuss his amazing artwork!

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