St. Peter’s Basilica: A Cathedral of Art

8 July 202522 June 2025

A group of school children, dressed in navy uniforms, skipped ahead of us along the walkway which connects the Vatican Museum to St. Peter’s Basilica. Still in awe at the beauty of Michelangelo’s Sistine Chapel, I made my way towards the cathedral known for its architecture and artwork of famous Renaissance artists. While waiting at the entrance, I thought about how I had waited so many years to visit Rome and wondered if these youngsters had any idea how lucky they were for the opportunity to visit St. Peter’s Basilica at such a young age.

The Vatican City resides in the city of Rome, its own country with a post office, helipad and even its own currency with a portrait of the pope. It is the capital of over 1 billion Roman Catholics with the pope its ruler.

Shuttled along with fellow tourists towards the entrance, I noticed The Holy Door of St. Peter’s Cathedral to my far right. Traditionally, the door is only open every twenty five years during the Holy Year, and on special occasions as designated by the pope. Dating back to 1450, the bronze from the original Old Peter’s church was melted down to create the sixteen scenes which feature Jesus, Paul and Peter and shows how each was martyred (the bottom panels).

Once inside the cathedral, I noticed the ornate stucco ceiling of the portico with the coat of arms of Pope Paul V. The basilica was completed during the Pope’s reign in the 1600s. Columns, arched walkways and small windows allowed the day’s light to gracefully creep in. The beautiful rays of sunlight produced a majestic golden hue that reflected off of the marble interior creating a stunning effect.

While Michelangelo is credited for the cathedral’s architecture, Bernini was its interior designer. He created the bronze canopy, the apse, the balconies, various statues (including the statue of St. Longinus) and the marble flooring.

Approaching the Nave, my eyes followed the coppered ceiling, watching the stream of light subtly appear through the windows. Detailed hallways and arches at each side are displayed with magnificent carvings. The Nave was coming into view and the dome appeared above the altar canopy. At the base of the dome are four medallions representing the saints who wrote the Four Gospels of the Bible.

Beneath the dome is the Main Altar, where only the pope recites Mass. When he is in the Vatican City, it is here where he conducts the Sunday morning mass.

The center of the Basilica is known as the Crossing and it is where the Papal Altar sits over the location of St. Peter’s tomb. Located above the tomb is the famous Dome of Michelangelo. Around the opening at the top is an inscription “To the Glory of St. Peter, Sixtus V, 1590, the fifth year of his reign.”

Looking past the elaborate altar canopy called the Baldacchino, my eyes are immediately drawn to the altar where there are two cherubs. These cherubs, holding the papal tiara and St. Peter’s keys, symbolize the authority of the Roman pontiff and seem to capture the glory of the sun.

Designed by Bernini the canopy covers the Papal Altar as well as the Tomb of St. Peter. The bronze structure was created using materials from Rome’s Pantheon and was completed in 1633. In the background, past the Baldacchino, is the Altar of the Chair, which contains the relics of a chair from which St. Peter preached. Located above the papal tiara is the symbol of the Holy Spirit, an alabaster dove that seems to illuminate as the outer light shines through.

The Confessio Petri, or Tomb of St. Peter can be accessed through the banister in front of the altar and taking the stairs below. I took an excursion to see the place where St. Peter was buried and waited for our tour guide to arrive. Once we descended 23 feet below the marble floor, we reached the entrance at the bottom, where we were instructed that this was a high security area and no photos were permitted.

Of course, the most important question on everyone’s mind was, “Are these really the bones of St. Peter?” Our guide explained that the tomb of Peter had been sealed since Old St. Peter’s Church was built in 326AD. In 1940, the tomb was opened and an inscription was found on a nearby wall claiming that “Peter is here.” Archaeologists removed the bones that were wrapped in cloth and tested them to determine their age. They confirmed that they were indeed the bones dating back to the first century and are believed to be those of St. Peter, the first bishop of the Catholic church.

On the day of a pope’s funeral, thousands gather in St. Peter’s Cathedral to pay their respects, and later his coffin is carried out to the square where the eulogy is conducted. While there are several popes that have been laid to rest below the basilica, there are several shrines throughout the cathedral where the bodies of previous popes can be viewed.

The beauty of St. Peter’s continued throughout the basilica as I discovered additional treasures from some of the greatest artists of all time. While the white columns on the portico date back to the fourth century when the first church was built, many of the stones used to construct the cathedral were removed from the court houses of ancient Rome. Cupolas, statues of popes, marble floors and popes interred add to the mystery of the basilica’s possessions.

Nothing compares to the crown jewel of St. Peter’s Basilica, the Dome of Michelangelo. The largest dome in the world reaches 448 feet from the floor to the top. Sixteen slender curved panels display painted images of angels and saints while Jesus and Mary can be seen above the circular set of windows.

The Latin inscription at the base of the dome comes from the Biblical passage in Matthew 16:18 which says, “You are Peter and upon this rock I will build my church, and to you I will give the keys of the kingdom of heaven”.

The apse is located beneath the dome where a golden dove represents the Holy Spirit, glowing as the sun shines through the glass. The Throne of Peter, located below the glow of the dove, made of oak was bronzed by Bernini as a symbol of St. Peter’s authority.

Not only was St. Peter buried within the walls of St. Peter’s Cathedral, this is also the site of his crucifixion. To the left of the apse, across from the main altar is a painting which, according to tradition) represents St. Peters’ crucifixion. While Peter was preaching in Rome, he gained the attention of the current reigning emperor Nero, who hated Christians. Nero imprisoned Peter and made a spectacle of his death. It is said that Peter refused to be crucified in the manner of Christ and insisted that he should be nailed to the cross upside down.

Raphael’s famous painting of The Transfiguration is around the corner telling the story of Jesus’ ascension into heaven after having been crucified, buried and then rising from the dead. The Renaissance artist’s oil is located above one of the altars on the other side of the statue of St. Andrew. The magnificent layers of blue in the sky welcome Jesus as he rises from the Earth to his eternal home in heaven and it is exactly how I had imagined it.

There is a crowd surrounding the Pieta as I arrived and I decided to visit the tomb of Pope John Paul II who is close by. My grandparents were Catholic, so I remembered how much they respected him and were proud that he was Polish. I also remember when he survived an assassination attempt in 1981 and the extensive media coverage during his death in 2005. And since I happened to be visiting the weekend of his canonization, it only seemed appropriate that I pay my respects.

St. John Paul II was laid to rest below the painting of St. Sebastian who was able to escape the assassination attempts on his life by the Romans. It is said that Sebastian was John Paul’s favorite saint.

I finally reach Michelangelo’s Pieta (pity), housed behind bulletproof glass, and gazing upon its rich detail, it is clear to see the sculptor’s influence on the artistic community of the Renaissance Era. This statue of Mary shows her holding Jesus after he was taken from the cross. Considered the most famous of all of Michelangelo’s works, he completed it at the age of 24. The soft edges, deep folds and expression on Mary’s face graciously exemplify the perfection in his work.

St. Peter’s Cathedral showcases the beautiful artistic treasures of Renaissance art. It displays the wealth and importance of the Catholic Church with its billions of followers. From the first Pope, St. Peter to St. Francis today, Catholicism remains a key spiritual denomination to many believers in Jesus Christ over many years.

Have you experienced the beauty of St. Peter’s Cathedral? What did you admire the most? I would love to hear about your visit and would be happy if you would include any additional information or suggestions regarding a visit to St. Peter’s in the comments section below. Many thanks for reading about my tour of St. Peter’s Cathedral and wishing you many Happy Travels!

What to See and What to Do:

Purchase a Ticket for the Hop On/Hop Off Bus

St. Peter’s Basilica
Piazza San Pietro
00120 Citta del Vaticano, Vatican City, Italy
Telephone: +39 06 6988 3731

Admission Fee: Free admission with an additional charge to visit the dome. Dome fees: elevator to the terrace level and climb up the 320 steps for 10 Euros or climb up the 551 steps for 8 Euros.
Buses/Trains Info: Buses 40, 44, 84, 780 and 810; Metro station: Colosseo: Line B
Hours: Daily from 8:00AM to 5:00PM from October 1 to March 31 and daily from 8:00AM to 6:00PM from April 1^st to September 30.
Amenities: Audioguides and Radioguides are available.
Guided Tours and Audio Guides: Audioguides are provided in Italian, German, Polish, Spanish, French and English, while Radioguides are also available.
Scenic View: Spectacular view from St. Peter’s dome
Length of the Tour: 2 – 3 hours
Tips for Your Visit: Dress appropriately ensuring that your shoulders and knees are covered (i.e., no tank tops and wear long shorts or capri pants). Remain as quiet as possible.

Where to Stay:

Courtyard Rome Central Park
Via Giuseppe Mosacti 7
Rome 01168 Italy
Telephone: +39 06 355741

Where to Eat:

Pastasciutta
Via delle Grazie 5
00193, Rome Italy
Telephone: +39 333 650 3758

The first day I tried this restaurant, I ordered the Pappardelle alla Carbonara. I had been waiting for the opportunity to try this Italian dish and fell in love!

My second day of visiting, I tried the Pappardelle ai funghi (mushrooms). Excellent for the price!

What to Eat:

Artichokes: steamed or fried
Cacio e Pepe: Cacio is a type of cheese from Rome’s countryside made from sheep’s milk. The dish is served over pasta and seasoned by black pepper.
Carbonara: creamy white pasta served with pancetta and noodles
Gelato: You have not had gelato until you have had it in Rome!
Maritozzi is a popular breakfast pastry with chocolate chips served with espresso. Some maritozzi are filled with cream as well.
Pecorino Romano cheese
Pizza al Taglio is Rome’s answer to pizza with red sauce, meats, vegetables and cheeses. I also love the Italian margarita pizza with red sauce, mozzarella cheese and topped with basil.
Porcetta: Pork wrapped around herbs and roasted on a spit
Saltimbocca is a dish made with veal and sage wrapped in prosciutto, cooked in white wine and butter.
Suppli is considered an Italian snack made of rice and meat with tomato sauce and filled with mozzarella cheese and then deep-fried. It reminds me of arancini in the US.

Where to Drink:

Il Goccetto (for wine)
Via dei Banchi Vecchi, 14
00186, Roma RM, Italy
Telephone: +39 06 9944 8583

Terrazza Borromini
Via di Santa Maria dell’Anima, 30A
00186 Roma RM, Italy
Telephone: +39 06 6821 5459

While the drinks are pricey, it will be worth the cost for the fabulous views.

What to Read:

Imperium, by Robert Harris
Roma, by Steven Saylor
SPQR, by Mary Beard
The Twelve Caesars, by Robert Grave

Photo Guide for Rome:

Campo de’ Fiori for photos of the market
The Colosseum
Monti for upscale boutiques, restaurants and vintage stores
The Pincio Terrace overlooking Piazza del Popolo in northern Rome
The top of St. Peter’s Basilica
Trastevere neighborhood for scenic alleyways, artisan workshops, the piazza at sunset, and tiny boutiques. Find the corner of Vicolo delle Torro off of Via della Lungaretta for photo-worthy pics.
Trevi Fountain

White Marble Saints

The Ceiling of St. Peter’s Basilica

A Circular Roundel in St. Peter’s Basilica

The Roman Forum: The Sacred Road of Julius Caesar

4 March 20252 July 2025

Strolling along the smooth, round stones of the Via Sacra, I am reminded that “all roads lead to Rome”. To imagine that I was standing at the epicenter of one of the world’s most fascinating civilizations, was hardly a moment I would soon forget. The ancient ruins ahead were a myriad of fragments representing structures that had been constructed over a span of centuries. Other historical buildings remained intact, miraculously surviving the destruction of war and years of plunder.

During the height of its power, Roman streets would have been crowded like a modern day New York City. Religious temples and political basilicas co-mingled together at the heart of Rome’s Republic. Prominent partisan figures settled legal disputes and made daily decisions to keep order among its citizens. While public orators stood on street podiums shouting over the crowds to provide news-worthy updates, the populace remained informed.

The Sacra Via was the most important road of central Rome during the height of its rule. Over the years the Forum’s landscape would undergo several changes as the “sacred road” had to adapt to its reconstruction and restoration. Roman rulers left their mark within the Forum removing monuments and temples only to replace them with their own.

Our first introduction into Roman politics includes a stop at the Basilica of Constantine, also referred to as the Basilica Maxentius. Not to be confused with a place of worship, this Basilica, with its three large arches was considered ancient Rome’s judicial system. What remains is only about one-third of the size of the structure and another set of arches would have stood opposite along the Via Sacra. The space in between was a large hall that would have been as long as a football field made of marble and full of statues, including a gargantuan statue of Constantine, sitting on his throne at the west end of the basilica. The hand of Constantine shows the enormous size of the statue, which is on display in Rome’s Capitoline Museums.

Because the Romans believed that their gods played a major part in the ongoing success of Rome, temples were built to worship these deities to keep them happy. Each god represented an important facet of everyday life. For example, the god of Saturn provided oversight for wealth, agriculture, liberation and time. The Romans also believed that the Emperors of Rome became gods once they had died and temples were erected in their honor as well, such as the Temple of Antoninus Pius and Faustina. The price they must have paid to guarantee their immortality.

When the temple was first erected, the tall, 50-foot Corinthian columns would have supported a triangular pediment displaying a number of brightly colored statues. An inscription on the lintel identifies Antoinus Pius and his wife, Faustina, “divo” and “divae”, representing the deification of the couple. During the medieval times, the structure was pillaged as evidenced by the diagonal marks on the marble pillars.

Since the 12^th century, the temple has been occupied by a church and the green door was once level with the street during the time of Michelangelo. It wasn’t until the 1800s, when the excavation of the site uncovered the long staircase which leads to the current Sacra Via.

The most sacred location in all of ancient Rome was undoubtedly the Temple of Vesta. Only three short columns remain of the circular temple dedicated to the Roman family, where an eternal flame once stood. This holy light was tended by a small group of priestesses known as the Vestal Virgins, who were responsible for keeping the torch lit at all times. Should the light go out, the virgin responsible for manning the flame would be flogged as punishment.

Nearby, located across from the Temple of Romulus, stands the remains of the Atrio delle Vestali (House of the Vestal Virgins). Once a beautiful two-story building, the House of the Vestal Virgins accommodated a small group of elite young ladies who dedicated the prime of their lives to the service of Vesta, the goddess of the hearth and patron of the state.

Selected from the noble families of Rome before the age of ten, this revered organization of girls lived together for a period of thirty years, taking a vow of chastity. If the Vestal Virgin completed her term of service, she was offered a large dowry and could finally marry. However, if she did not adhere to the requirements of her role, she was buried alive.

Each emperor expanded his residence and added more space to his royal palaces. The Palaces of Caligula and Tiberius were initially built upon Palatine Hill, but over time, extended down the hill into the Roman Forum. Although very little remains of the Palace, the underground passageway still exists. Connecting the palace to the Clivus Paltinus Road and the Casa di Livia, this corridor may have well been the location where Caligula was stabbed to death in 41AD.

Our tour guide identified the various points of interest within the Forum to include several temples. All that remains of the prestigious Temple of Castor and Pollux are the three marble, Corinthian columns. Built in the fifth century BC, it is the oldest structure and most photographed site in the Forum. The Romans believed that Castor and Pollux, the sons of Jupiter appeared to water their horses at the Sacred Springs of Juturna and therefore a temple was built in their honor.

At the height of Rome’s power, the city exceeded one million residents. Living in tiny apartments or nearby tents, the area was busy, crowded and dangerous. In addition to crime, fires would break out, destroying the residential structures built mainly of wood.

One of the most popular locations, identified with flowers and cards is the Temple of Julius Caesar (Ara di Cesare). A modest structure with a metal roof marks the spot where Julius Caesar’s body was cremated after his assassination. The temple represents the deification of one of Rome’s most successful Emperors, making Caesar the first Roman leader to become a god.

Compared to the simple memorial for Julius Caesar, the Basilica Aemilia was anything but ordinary. Built in the 2^nd century BC, this meeting hall served as Rome’s local courts to settle a variety of civil disputes and civic matters and handled the enforcement of legal agreements. As a litigious city, it was no doubt the basilica required so much space.

Within close proximity to the Basilica Aemilia was the Curia (Senate House), a political meeting space where the elected Senators of Rome determined the laws of the land. First designed in the 7^th century BC, the Curia was the center of government when Rome became a Republic. The Senate’s President sat at one end while three tiers of wooden seats provided circular seating across from him where they conducted debates. The Comitium, located in front of the Curia is where the Popular Assembly met.

While Julius Caesar was murdered in the Senate House, it was not at this location. At the time of his death, a temporary meeting place had been established across town.

During Caesar’s funeral, it was Mark Antony who gave the eulogy on the elevated podium known as the Rostrum. Built for public announcements, the 10 foot high, 80 foot long platform was a place for citizens to exercise their freedom of speech, while political officials would publicly voice their opinions on a number of partisan issues.

Although the Arch of Septimus Severus is within view of the Rostrum, the structure was not completed until 203 AD, long after Julius Caesar had passed. The triple arch, standing six stories high, represented Severus’ conquest over the Parthians (modern Iran). I have always been fascinated with the arches of the Forum and the propaganda displayed through a series of reliefs and roundels. Etched into the marble, travertine and brick, the Emperors would document their victories forever in stone.

While the Romans loved to build temples in honor of their rulers, the sanctuaries to their gods were just as important to them. They believed that their prosperity and good fortune depended on the happiness of their gods, so they built many shrines to appease them. Many of the structures also served a dual purpose, such as the Temple of Saturn , first built in 495 BC which housed the Aerarium, the state treasury. The wealth and riches from Rome’s conquests would have been stored in the pedestal of the statue of Saturn. Eight Ionic columns and a section of the frieze remains of the entrance to the temple, which was the most honorable shrine in the Forum.

The last monument erected in the forum is a lonely Corinthian column to the left of the Temple of Vespasian and Titus, the Column of Phocas. While the western empire ended in September of AD 476, Phocas became the Byzantine Emperor in Constantinople until he was overthrown in AD 610. By the time the memorial was dedicated to Emperor Phocas in AD 608, the city of Rome was in decline and would eventually come to an end.

So, while our tour did not last as long as the Roman Empire, it too came to an end and we were offered the opportunity to roam the ruins for an additional thirty minutes. Before making our way towards the exit, our guide pointed out a set of brick ruins next to the Arch of Septimius Severus identified as the Umbilicus Urbis. She noted that it was the oldest set of ruins within the Forum and was considered to be the “center of the world”. It was from this point, that all distances from within the Roman Empire were measured. While Rome was once the most powerful epicenter of civilization, it was quickly abandoned in the 7^th century AD, It would take over 1,000 years for this ancient metropolis to be rediscovered and later still to become one of Rome’s most visited historical attractions.

What were your thoughts as you explored the Roman Forum? Do you have another ancient civilization that has inspired you? I would love to hear about your adventures if you would kindly leave a comment below. Many thanks for reading about my visits to the Roman Forum and wishing you many Happy Travels.

What to See and What to Do:

Roman Forum
Via della Salara Vecchia, 5/6
00186 Roma RM, Italy
Telephone; +39 06 0608

Admission Fee: 12 Euros per adult, children under the age of 17 are free; The Admission Fee includes entrance into the Palatine Hill and the Colosseum.
Bus/Train Information: Buses 40, 44, 84, 780 and 810; Metro Station – Colosseo, line B- (blue)
Hours: Open daily from 8:30AM to 3:30PM (closed January 1^st and December 25^th) The ticket counter closes one hour before closing time. Confirm with the Roman Forum’s website: https://turisimoroma.it/cosa-fare/fori
Amenities: audio headsets, tour guides (additional charge)
Audio Guides and Guided Tours: Audio guides are available for a nominal fee.
Length of the Tour: 2 – 3 hours total
Tips for Your Visit: Your ticket to the Roman Forum includes The Colosseum and Palatine Hill. For security reasons, it is strictly forbidden to enter the attraction with backpacks, camping equipment, bulky bags, luggage or trolley. Medium and small-sized backpacks are permitted, but may be screened by metal detectors. Bags may also be opened and visually inspected by security. Wear comfortable shoes and bring your water bottle to refill at the drinking fountains.

Where to Stay:

Hotel Forum Roma
Via Tor de’ Conti, 25, 00184
Rome, Italy
Telephone: +39 06 67 92 446

We lucked out finding this gem of a hotel in the midst of ancient Rome. Make sure to stop by the Roof Garden Restaurant for spectacular views.

Where to Eat:

Iari the Vino
Via del Colosseo, 5
Rome, Italy
Telephone: +39 06 6919 1069

I have to give Peter credit for finding this fabulous spot for lunch. I thoroughly enjoyed the Calamari salad and he ordered the lasagna. Deliciouso!

Trattoria Da Enzo
Via dei Vascellari, 29,
00153, Roma, RM, Italy
Telephone: +39 06 581 2260

This restaurant is outstanding for its artichokes, carbonara dishes and Cacio e Pepe

What to Eat:

Artichokes: steamed or fried
Cacio e Pepe: Cacio is a type of cheese from Rome’s countryside made from sheep’s milk. The dish is served over pasta and seasoned by black pepper.
Carbonara: creamy white pasta served with pancetta and noodles
Gelato: You have not had gelato until you have had it in Rome!
Maritozzi is a popular breakfast pastry with chocolate chips served with espresso. Some maritozzi are filled with cream as well.
Pecorino Romano cheese
Pizza al Taglio is Rome’s answer to pizza with red sauce, meats, vegetables and cheeses. I also love the Italian margarita pizza with red sauce, mozzarella cheese and topped with basil.
Porcetta: Pork wrapped around herbs and roasted on a spit
Saltimbocca is a dish made with veal and sage wrapped in prosciutto, cooked in white wine and butter.
Suppli is considered an Italian snack made of rice and meat with tomato sauce and filled with mozzarella cheese and then deep-fried. It reminds me of arancini in the US.

Where to Drink:

Il Goccetto (for wine)
Via dei Banchi Vecchi, 14
00186, Roma RM, Italy
Telephone: +39 06 9944 8583

Terrazza Borromini
Via di Santa Maria dell’Anima, 30A
00186 Roma RM, Italy
Telephone: +39 06 6821 5459

While the drinks are pricey, it will be worth the cost for the fabulous views.

What to Read:

Imperium, by Robert Harris
Roma, by Steven Saylor
SPQR, by Mary Beard
The Twelve Caesars, by Robert Grave

Photo Guide for Rome:

Campo de’ Fiori for photos of the market
The Colosseum
Monti for upscale boutiques, restaurants and vintage stores
The Pincio Terrace overlooking Piazza del Popolo in northern Rome
The top of St. Peter’s Basilica
Trastevere neighborhood for scenic alleyways, artisan workshops, the piazza at sunset, and tiny boutiques. Find the corner of Vicolo delle Torro off of Via della Lungaretta for photo-worthy pics.
Trevi Fountain

Catching Up with Cats at the Divine Felines Exhibit, Cincinnati

15 September 201616 September 2024

Having just visited the Pharaoh Exhibit at the Cleveland Museum of Art, I was excited to learn that the Cincinnati Art Museum would be showcasing their own Egyptian display titled “Divine Felines”. Presenting artifacts from Egypt with a cat theme, I could not wait to make the trek down to Cincinnati to learn more about the ancient domestication of my favorite animal.

Recumbent Lion, Ptolomaic Period, 305 – 35BC, Reportedly from Giza

Cats, both domestic and wild, played an important role in the every day lives of the ancient Egyptians representing symbols of protection, fertility, beauty and sexuality. For example, the resting lion symbolized the country’s tranquility as well as the confidence and power of the king. Stones or glass were embedded into the eyes of the sculptures to show the watchful nature of the mysterious feline.

Lion shaped furniture leg, during the reign of Aspelta, 690-664 BC

According to archaeologists, the ancient Egyptians were the first to use the image of cats as elements of architectural design. Cats and lions were found carved in items that were used on a daily basis to include furniture, weapons and cosmetic items.

Fragmentary Inscription, Dynasty 25 – Dynasty 26, 670 – 650 BC

Pictures and paintings of lions were a common theme in Egyptian hieroglyphs. At least four images of lions were utilized as one of many animal shapes represented in hieroglyphic designs. These shapes include the standing lion, recumbent lion, full-bodied lion, the forepart lion which included its front legs and head as well as the hind parts of the lion (its legs and tail).

Sculptor’s Model Bust of a Lion, Ptolomaic Period

The Egyptians were fascinated by the prowess of the lions, their ferocity and ability to move quickly. Considered positive qualities that were often used to describe Egyptian gods and Pharaohs, these characteristics were the primary attributes that symbolized their divinity and royal standing.

Necklace with Bes and Taweret Pendants, Dynasty 18, 1539 – 1292 BC

Jewels made into the likeness of Bes, the goddess of fertility and protection, were worn by women of child-bearing age or during their pregnancy. These trinkets were used to ensure the safe-keeping of the child until birth. Bes was depicted as a man with a lion’s head and tail. The images also took on the form of a lioness or a woman with a lion’s head, representing the daughter of Ra, the Sun god.

Roman Period, 1^st Century Reportedly from Saqqara, Egypt

Tutu was the male equivalent of Bes, taking the form of a pacing sphinx with the tail of a snake. He was known for protecting the dead in the Afterworld and for taking charge of one’s fate.

Coffin of a Cat, Late Period, Dynasty 26 – Dynasty 31, 664 BC- 332 BC, or later

The Sarcophagus of a cat mummy showed the importance of cats as pets to the ancient Egyptians. According to the placard, “Most cat mummies were buried in either rectangular or cat shaped coffins made of wood. Carved from costly limestone and decorated with scenes that typically appear on coffins of humans, this sarcophagus may have belonged to a pet cat. A scene on the shorter side to your left shows the deceased cat in front of an offering table, flanked by the goddesses Isis and Nephthys. Isis protectively spreads her wings around one of the longer sides of the sarcophagus.”

Roundel, 5^th Century BC, depicting dogs as pets

Just as cats were highly regarded by the Egyptians as both pets and deities, dogs and jackals also had a place in the lives of the ancient Egyptians. The dog’s ability to protect its territory and their loyalty to their owners were attributes that were important to the rulers. Evidence of dogs as pets can be traced back to the 5^th millennium BC.

In addition to Tutu, there were several dog deities including Wepwewat, a god that would lead the dead through the passages of the Underworld and provided them protection. The name means “Opener of the Ways” and comes from the dog’s keen sense of smell and its ability to escape danger.

Anubia was another dog deity that was so named due to the dog’s extreme sense of smell. He was responsible for protecting the deceased in the Underworld.

According to the museum, a fragment on display “represents Anubia lying on the top of shrines, coffins, or canopic chests, which were boxes containing jars with the internal organs of the deceased.” It was difficult to determine if the figures were those of dogs or jackals, as both were portrayed as black.

Even as late as the 2^nd Century when Rome ruled over Egypt, the influence of Egyptian gods were present in the carvings of the Roman-Egyptian cities. As depicted in the funerary stela of C. Julius Valerius, the Egyptian god Horus and the Roman-Greco god Nemesis were present as well as the dog, representing either Anubis or Wepwawet. Just as in the Egyptian culture, the dog led and guarded the deceased through the Afterworld.

It was not surprising that the characteristics of both cats and dogs were highly admired by the Egyptians. Independent or loyal, swift or sassy, the importance of these furry friends continues even into today’s culture.

In addition to the Egyptian exhibit, I learned the museum was hosting a “Modern Cats” collection. With over 20 pieces on display, the artwork was added to demonstrate the “lasting appeal of the domestic feline”. I enjoyed exploring the cat-themed pieces proving that even today, cats are an important part of our global culture.

Which attributes of your pet also resemble your character? Are you surprised that the Egyptian culture developed a fondness for cats in their religion and everyday lives? I would love to hear your thoughts if you would kindly leave a message in the comments section below. Many thanks for reading about my visit to the Cincinnati Art Museum to check out the Divine Felines Exhibit. Wishing you many Happy Travels!

What to See and What to Do:

Cincinnati Art Museum
953 Eden Park Drive
Cincinnati, OH 45202
Telephone: 513 721 2787

Admission Fee: General Admission is Free. Special Event Ticket Pricing is $12 for Adults, $6 for Seniors (60+), Students and Children (6-17) and children under 5 are FREE. Exhibit hours on Thursday from 5 PM- 8 PM is free. Contact the museum’s website for holiday closures.
Hours: Open Tuesday – Sunday from 11AM to 5PM; Closed Monday and open Thursdays from 11AM to 8PM. Closed on Thanksgiving Day and Christmas Day.
Amenities: Terrace Cafe, Mary R. Schiff Library, museum shop, Rosenthal Educational Center, gallery map and guides and MyCAM Art Hunts
Length of Visit: 1 to 2 hours, or additional time for special exhibits
Tips for Your Visit: Ensure that you have visited the website to confirm that the museum is open, as it may be closed for special events.

Where to Stay:

Millennium Hotel Cincinnati
150 W. 5th Street
Cincinnati, OH 45202
Telephone: 513 352 2100

Where to Eat:

Mt. Adams Bar and Grill
938 Hatch Street
Cincinnati, OH 45202
Telephone: 513 621 3666

I ordered the Fried Jalapeno Ravioli served with marinara sauce.

What to Eat:

Skyline Chili: My go-to meal at Skyline is the 4-way chili with onion served with oyster crackers and hot sauce. I always pick up two York peppermint patties after cashing out. Cincinnati chili is a beef based sauce served over spaghetti noodles and cheese. Additional toppings include onions and beans.
LaRosa’s Pizza: A local chain pizzeria, this Sicilian style pie is made with a sweet crust and sauce. My favorite menu item is the Caprese pesto Flatbread Pizza.
Graeter’s Ice Cream: It’s the French Pot process that makes Graeter’s Ice Cream so decadent and rich. Towards the end of the process, they pour chocolate into the mix creating large chunks of yummy goodness.
Montgomery Inn BBQ: Visiting the original Montgomery Inn BBQ at the boathouse is a culinary and scenic experience. Their ribs are served with a sweet and tangy sauce that has since made them the “Ribs King” and a favorite among locals. Load up on their amazing BBQ flavored Saratoga chips,
Glier’s Goetta: While it looks like a slab of corn beef hash, this breakfast staple is made of sausage and oats, cooked until crispy. Most breakfast restaurants carry it as a side, especially the local cafes and diners.
BonBonerie: One of the most decadent pastry shops in Cincinnati, their rich confections are absolutely amazing.

Where to Drink:

Moerlein Lager House
115 Joe Nuxhall Way
Cincinnati, OH 45202
Telephone: 513 421 2337

Books to Read:

Eligible: A Modern Retelling of Pride & Prejudice, by Curtis Sittenfeld
Running, by J.T. Cooper
Dead Witch Walking, by Kim Harrison
Beloved, by Toni Morrison
Double Dutch, by Sharon M. Draper
Romiette and Julio, by Sharon M. Draper

Photo Guide for Cincinnati (as provided by Chris Thompson on FourSquare):

The John A Roebling Suspension Bridge
- Pick a spot near the Covington pier and shoot north toward the Cincinnati skyline. Shoot at sunset and underexpose by a few stops to get the lights just right.
- The new lights on the bridge create excellent stars when you photograph them using a narrow aperture (~f/16 and above) on your camera. That means you’ll need a longer exposure (and thus a tripod).
General James Taylor Park
- Shoot from the top of the flag pole mound to get more building reflections in your shot. Shoot at sunset or sunrise for great lighting.
Cincinnati Museum Center at Union Terminal
- Arrive first thing in the morning when the sun is coming up
The Fountain at Fountain Square
- For great photos of the fountain: set your camera on a tripod and use a long exposure (2-5 seconds) to capture the running water. Get Carew or the colored lights above Rock Bottom in the background.
Fountain Square (look for reflections in puddles)
Celestial Restaurant in Mount Adams – The restaurant is now closed, but you may still be able to use the parking lot.
Carew Tower Observation Deck
- Provides some neat photos of the highways snaking around the city. Set your camera on a tripod and use a long exposure to get moving car trails. It’s only open at sunset a few days each year.
Engine Company 46, 2733 Erie Avenue (at Michigan), Cincinnati
- One of the most beautiful historic firehouses in all of Cincinnati. The firefighters here are used to having their photo taken while they work. Ask nicely and you can get some cool shots.
Cincinnati Observatory Center
Krohn Conservatory
Great American Ball Park
- Shoot the front of the stadium around sunset to get a nice color blue in the sky. Get one of the player statues in your shot for extra effect.
Devou Park
- The overlook next to the Drees pavilion affords a great view of the Cincinnati skyline. Shoot at sunrise or sunset for the best lighting. Underexpose slightly to get the city lights just right.
Newport Central Catholic for fireworks
- Shoot the Riverfest fireworks from this location. Bring a long lens and a tripod. You’ll want a long-ish exposure (5-10 seconds) to capture the bursts, but make sure the skyline isn’t overexposed.
Riverfront Park
- The colorful fountains make a great subject, but you need to use a relatively fast shutter speed (>1/20 or so) to catch the lights before they change color, leaving your pic with plain white lights.
American Sign Museum
- Be sure to bring a tripod to capture all the signs. Manual white balance is the way to go, because there are so many crazy colors of lights that your camera won’t know how to react.

Figurine of a Cat during the Late Period Dynasty 26 – Dynasty 31, 664-332 BC or later

Modern Cat Exhibit

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